Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
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Seite xxxvii
... Kraus's po- lemical discourse , in which a radical technique of unmasking the enemy combines with an intense art of self - expression con- tinually sustained by demonic vanity . The critic Kraus be- haves like an actor who anxiously ...
... Kraus's po- lemical discourse , in which a radical technique of unmasking the enemy combines with an intense art of self - expression con- tinually sustained by demonic vanity . The critic Kraus be- haves like an actor who anxiously ...
Seite 263
... Kraus , in his recitals , does not speak the words of Offenbach or Nestroy : they speak from him . And now and then a breathtaking , half - blank , half - glittering whore- monger's glance falls on the crowd before him , inviting them ...
... Kraus , in his recitals , does not speak the words of Offenbach or Nestroy : they speak from him . And now and then a breathtaking , half - blank , half - glittering whore- monger's glance falls on the crowd before him , inviting them ...
Seite 265
... Kraus access to the two poles of linguistic expression — the enfeebled pole of humming and the armed pole of pathos - and those which forbid his sanctification of the word to take on the forms of the Georgean cult of language . To the ...
... Kraus access to the two poles of linguistic expression — the enfeebled pole of humming and the armed pole of pathos - and those which forbid his sanctification of the word to take on the forms of the Georgean cult of language . To the ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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André Breton appears arcades art nouveau artistic Baudelaire become Benjamin Berlin Bolshevik bourgeois bourgeoisie Brecht Café called character church close colored communication concept creation criticism demon dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marxist means memory ment mental moral Moscow nature never night novel origin Paris perhaps petit bourgeois photography picture poem poetry political production profane proletarian question revolutionary Russian Saint-Pol Roux Saint-Simonists seemed social Soviet sphere stands street strike struggle Surrealism Surrealists Tabarz theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing