Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
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Seite xxiii
... God's creative energies and defines his particular mode of being ; " of all beings man is the only one who himself names his own kind , as he is the only one whom God did not name . " To name is man's particular fate ; he alone among ...
... God's creative energies and defines his particular mode of being ; " of all beings man is the only one who himself names his own kind , as he is the only one whom God did not name . " To name is man's particular fate ; he alone among ...
Seite 307
... gods , has preserved itself long past the time of the vic- tory over the demons . It was not in law but in tragedy ... god . Rather , in tragedy pagan man becomes aware that he is better than his god , but the realization robs him of ...
... gods , has preserved itself long past the time of the vic- tory over the demons . It was not in law but in tragedy ... god . Rather , in tragedy pagan man becomes aware that he is better than his god , but the realization robs him of ...
Seite 323
... God name is creative because it is word , and God's word is cognizant because it is name . " And he saw that it was good " ; that is : He had cognized it through name . The absolute rela- tion of name to knowledge exists only in God ...
... God name is creative because it is word , and God's word is cognizant because it is name . " And he saw that it was good " ; that is : He had cognized it through name . The absolute rela- tion of name to knowledge exists only in God ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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André Breton appears arcades art nouveau artistic Baudelaire become Benjamin Berlin Bolshevik bourgeois bourgeoisie Brecht Café called character church close colored communication concept creation criticism demon dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur function German guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marxist means memory ment mental moral Moscow nature never night novel origin Paris perhaps petit bourgeois photography picture poem poetry political production profane proletarian question revolutionary Russian Saint-Pol Roux Saint-Simonists seemed social Soviet sphere stands street strike struggle Surrealism Surrealists Tabarz theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing