Shakespearean CriticismGale Research International, Limited, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 100
... transformation . In A Midsummer Night's Dream this transforming cre- ative process becomes the subject as well as the tech- nique of the play . The structural paradigm of transfor- mation is the overall movement from court to wood and ...
... transformation . In A Midsummer Night's Dream this transforming cre- ative process becomes the subject as well as the tech- nique of the play . The structural paradigm of transfor- mation is the overall movement from court to wood and ...
Seite 105
... transformation through dream to ekphrasis , transformation into art , mirrors the informing struc- tural design of the play as a whole . The ballad of " Bottom's Dream " is of course never performed for the Duke . Instead the play's two ...
... transformation through dream to ekphrasis , transformation into art , mirrors the informing struc- tural design of the play as a whole . The ballad of " Bottom's Dream " is of course never performed for the Duke . Instead the play's two ...
Seite 381
... transformation of time that structures the statue scene itself : a transformation from the realm of memory , associated with lifelessness and sepulchral coldness , to the more vibrant present of " what's seen now . ” This transformation ...
... transformation of time that structures the statue scene itself : a transformation from the realm of memory , associated with lifelessness and sepulchral coldness , to the more vibrant present of " what's seen now . ” This transformation ...
Inhalt
Dreams in Shakespeare | 1 |
A Midsummer Nights Dream | 84 |
The Winters Tale | 295 |
Urheberrecht | |
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action Alonso Antonio appears Ariel audience Autolycus becomes Bohemia Bottom Caesar Caliban characters comedy comic critics cultural Cymbeline daughter death Demetrius desire dramatic Elizabethan essay experience eyes fairies fantasy father fear Ferdinand fiction figure Florizel Freud Gonzalo Hamlet hath Helena Hermia Hermione Hermione's Hippolyta human illusion imagination interpretation island king King Lear Lady language Lear Leontes London lovers Lysander Macbeth magic male Mamillius marriage masque means ment metaphor Midsummer Night's Dream mimetic mind Miranda mother murder Nashe's nature Neoplatonist Oberon Ovid Paulina Perdita play's plot Polixenes Portia Posthumus present Prospero psychoanalytic Puck Pyramus Queen reality Renaissance role Romeo says scene seems sense sexual Shake Shakespeare significant sleep social speak speare's speech spirit stage Stephano Stephen Orgel strange suggests symbolic Tempest theatrical thee theme Theseus things thou tion Titania transformation Trinculo University Press vision wife Winter's Tale words