Shakespearean CriticismGale Research International, Limited, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 141
... never question the objec- tive reality of their experience ; their changes of af- fection never lead to self - doubt . The opposite physi- cal differentiation of the women - blond and black , tall and short are equally beautiful - makes ...
... never question the objec- tive reality of their experience ; their changes of af- fection never lead to self - doubt . The opposite physi- cal differentiation of the women - blond and black , tall and short are equally beautiful - makes ...
Seite 176
... never a question of who belongs to which . One is the Athenian court circle , Duke Theseus and his bride , Queen Hippo- lyta , Hermia and Lysander , Helena and Demetrius : all beautiful ; all so classically and medievally and attrac ...
... never a question of who belongs to which . One is the Athenian court circle , Duke Theseus and his bride , Queen Hippo- lyta , Hermia and Lysander , Helena and Demetrius : all beautiful ; all so classically and medievally and attrac ...
Seite 208
... never assents in words to relinquishing the dukedom , never acknowledges verbally any ' fault ' , even the ' rankest ' , and - in contrast to Alonso - never asks Prospero or anyone else to ' pardon me my wrongs ' . In fact , Antonio ...
... never assents in words to relinquishing the dukedom , never acknowledges verbally any ' fault ' , even the ' rankest ' , and - in contrast to Alonso - never asks Prospero or anyone else to ' pardon me my wrongs ' . In fact , Antonio ...
Inhalt
Dreams in Shakespeare | 1 |
A Midsummer Nights Dream | 84 |
The Winters Tale | 295 |
Urheberrecht | |
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action Alonso Antonio appears Ariel audience Autolycus becomes Bohemia Bottom Caesar Caliban characters comedy comic critics cultural Cymbeline daughter death Demetrius desire dramatic Elizabethan essay experience eyes fairies fantasy father fear Ferdinand fiction figure Florizel Freud Gonzalo Hamlet hath Helena Hermia Hermione Hermione's Hippolyta human illusion imagination interpretation island king King Lear Lady language Lear Leontes London lovers Lysander Macbeth magic male Mamillius marriage masque means ment metaphor Midsummer Night's Dream mimetic mind Miranda mother murder Nashe's nature Neoplatonist Oberon Ovid Paulina Perdita play's plot Polixenes Portia Posthumus present Prospero psychoanalytic Puck Pyramus Queen reality Renaissance role Romeo says scene seems sense sexual Shake Shakespeare significant sleep social speak speare's speech spirit stage Stephano Stephen Orgel strange suggests symbolic Tempest theatrical thee theme Theseus things thou tion Titania transformation Trinculo University Press vision wife Winter's Tale words