Shakespearean CriticismGale Research International, Limited, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 174
... lines set both the scene and time and prepare for the lovely passage fifty lines later that begins , " How sweet the moonlight sleeps upon this bank ! " But here as later a discordant note slips in , even as the mellifluousness of the lines ...
... lines set both the scene and time and prepare for the lovely passage fifty lines later that begins , " How sweet the moonlight sleeps upon this bank ! " But here as later a discordant note slips in , even as the mellifluousness of the lines ...
Seite 221
... lines of that passage are wrenched from context , as they have often been , they are easily misinterpreted ; they seem to deny rather than affirm Caliban's human stature . " That impression is uninten- tionally encouraged by the new ...
... lines of that passage are wrenched from context , as they have often been , they are easily misinterpreted ; they seem to deny rather than affirm Caliban's human stature . " That impression is uninten- tionally encouraged by the new ...
Seite 381
... lines deny the possibility that loss can ever be replaced , or that the present can in any way heal the past . At the same time , unknown to Leontes and to the audience , these lines are half - truths , since the play's conclusion will ...
... lines deny the possibility that loss can ever be replaced , or that the present can in any way heal the past . At the same time , unknown to Leontes and to the audience , these lines are half - truths , since the play's conclusion will ...
Inhalt
Dreams in Shakespeare | 1 |
A Midsummer Nights Dream | 84 |
The Winters Tale | 295 |
Urheberrecht | |
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action Alonso Antonio appears Ariel audience Autolycus becomes Bohemia Bottom Caesar Caliban characters comedy comic critics cultural Cymbeline daughter death Demetrius desire dramatic Elizabethan essay experience eyes fairies fantasy father fear Ferdinand fiction figure Florizel Freud Gonzalo Hamlet hath Helena Hermia Hermione Hermione's Hippolyta human illusion imagination interpretation island king King Lear Lady language Lear Leontes London lovers Lysander Macbeth magic male Mamillius marriage masque means ment metaphor Midsummer Night's Dream mimetic mind Miranda mother murder Nashe's nature Neoplatonist Oberon Ovid Paulina Perdita play's plot Polixenes Portia Posthumus present Prospero psychoanalytic Puck Pyramus Queen reality Renaissance role Romeo says scene seems sense sexual Shake Shakespeare significant sleep social speak speare's speech spirit stage Stephano Stephen Orgel strange suggests symbolic Tempest theatrical thee theme Theseus things thou tion Titania transformation Trinculo University Press vision wife Winter's Tale words