Shakespearean CriticismGale Research International, Limited, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 72
... give Milford a peculiar resonance , so that it becomes a magical and sacred place ; its irresist- ible drawing power is especially evident in relation to Imogen . I think that Shakespeare uses this strategy for dramaturgical as well as ...
... give Milford a peculiar resonance , so that it becomes a magical and sacred place ; its irresist- ible drawing power is especially evident in relation to Imogen . I think that Shakespeare uses this strategy for dramaturgical as well as ...
Seite 119
... gives the whole audience the option of considering the entire play as a dream in his epilogue : If we shadows have ... give it its pedantic title , was a stan- dard and important part of classical divination . Only one major account of ...
... gives the whole audience the option of considering the entire play as a dream in his epilogue : If we shadows have ... give it its pedantic title , was a stan- dard and important part of classical divination . Only one major account of ...
Seite 181
... give the world if she could catch Hermia's looks that way , her ear , her eye , her tongue , to make herself as attractive to Demetrius . Were the world mine , Demetrius being bated , The rest I'd give to be to you translated . ( 186-91 ) ...
... give the world if she could catch Hermia's looks that way , her ear , her eye , her tongue , to make herself as attractive to Demetrius . Were the world mine , Demetrius being bated , The rest I'd give to be to you translated . ( 186-91 ) ...
Inhalt
Dreams in Shakespeare | 1 |
A Midsummer Nights Dream | 84 |
The Winters Tale | 295 |
Urheberrecht | |
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action Alonso Antonio appears Ariel audience Autolycus becomes Bohemia Bottom Caesar Caliban characters comedy comic critics cultural Cymbeline daughter death Demetrius desire dramatic Elizabethan essay experience eyes fairies fantasy father fear Ferdinand fiction figure Florizel Freud Gonzalo Hamlet hath Helena Hermia Hermione Hermione's Hippolyta human illusion imagination interpretation island king King Lear Lady language Lear Leontes London lovers Lysander Macbeth magic male Mamillius marriage masque means ment metaphor Midsummer Night's Dream mimetic mind Miranda mother murder Nashe's nature Neoplatonist Oberon Ovid Paulina Perdita play's plot Polixenes Portia Posthumus present Prospero psychoanalytic Puck Pyramus Queen reality Renaissance role Romeo says scene seems sense sexual Shake Shakespeare significant sleep social speak speare's speech spirit stage Stephano Stephen Orgel strange suggests symbolic Tempest theatrical thee theme Theseus things thou tion Titania transformation Trinculo University Press vision wife Winter's Tale words