Shakespearean CriticismGale Research International, Limited, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 38
... comes at the close of act IV , and the whole of the fifth act is therefore Cleopatra's . Cleo- patra's sense of self is very acute ; she is a constant manipulator of illusion and reality , herself the embodi- ment of the irrational ...
... comes at the close of act IV , and the whole of the fifth act is therefore Cleopatra's . Cleo- patra's sense of self is very acute ; she is a constant manipulator of illusion and reality , herself the embodi- ment of the irrational ...
Seite 121
... come unto the soul ' or are divinely caused ( D7 ′ ) . But all natural dreams , inwardly caused , are generated by the ... comes through the dream . As Hill puts it , ' And a man also doth more comprehend in his dream than waking in the ...
... come unto the soul ' or are divinely caused ( D7 ′ ) . But all natural dreams , inwardly caused , are generated by the ... comes through the dream . As Hill puts it , ' And a man also doth more comprehend in his dream than waking in the ...
Seite 199
... come as husband and wife , and as prince and princess , rulers of men . At the centre of the play the masque of IV.i ... comes to beg the favour of the audience : Now I want Spirits to enforce , Art to enchant ; And my ending is despair ...
... come as husband and wife , and as prince and princess , rulers of men . At the centre of the play the masque of IV.i ... comes to beg the favour of the audience : Now I want Spirits to enforce , Art to enchant ; And my ending is despair ...
Inhalt
Dreams in Shakespeare | 1 |
A Midsummer Nights Dream | 84 |
The Winters Tale | 295 |
Urheberrecht | |
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action Alonso Antonio appears Ariel audience Autolycus becomes Bohemia Bottom Caesar Caliban characters comedy comic critics cultural Cymbeline daughter death Demetrius desire dramatic Elizabethan essay experience eyes fairies fantasy father fear Ferdinand fiction figure Florizel Freud Gonzalo Hamlet hath Helena Hermia Hermione Hermione's Hippolyta human illusion imagination interpretation island king King Lear Lady language Lear Leontes London lovers Lysander Macbeth magic male Mamillius marriage masque means ment metaphor Midsummer Night's Dream mimetic mind Miranda mother murder Nashe's nature Neoplatonist Oberon Ovid Paulina Perdita play's plot Polixenes Portia Posthumus present Prospero psychoanalytic Puck Pyramus Queen reality Renaissance role Romeo says scene seems sense sexual Shake Shakespeare significant sleep social speak speare's speech spirit stage Stephano Stephen Orgel strange suggests symbolic Tempest theatrical thee theme Theseus things thou tion Titania transformation Trinculo University Press vision wife Winter's Tale words