Shakespearean CriticismGale Research International, Limited, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 18
... action is to read the play as the dream of one who defines himself as observer rather than as participant in her or his world . In tragic or serious literature things fall into place more simply by choos- ing a figure who is at the ...
... action is to read the play as the dream of one who defines himself as observer rather than as participant in her or his world . In tragic or serious literature things fall into place more simply by choos- ing a figure who is at the ...
Seite 68
... action . The play suffers a certain break in consciousness followed by a descent to a demonic realm when Posthumus re- treats from the action . In romance , the demonic or night world to which the self descends is the domain of tyr ...
... action . The play suffers a certain break in consciousness followed by a descent to a demonic realm when Posthumus re- treats from the action . In romance , the demonic or night world to which the self descends is the domain of tyr ...
Seite 256
... action . In their sum they attest to still something else , to the continuous presence of the powers ultimately respon- sible for the existence of what is appearing before us , being themselves translations of the events of the play ...
... action . In their sum they attest to still something else , to the continuous presence of the powers ultimately respon- sible for the existence of what is appearing before us , being themselves translations of the events of the play ...
Inhalt
Dreams in Shakespeare | 1 |
A Midsummer Nights Dream | 84 |
The Winters Tale | 295 |
Urheberrecht | |
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action Alonso Antonio appears Ariel audience Autolycus becomes Bohemia Bottom Caesar Caliban characters comedy comic critics cultural Cymbeline daughter death Demetrius desire dramatic Elizabethan essay experience eyes fairies fantasy father fear Ferdinand fiction figure Florizel Freud Gonzalo Hamlet hath Helena Hermia Hermione Hermione's Hippolyta human illusion imagination interpretation island king King Lear Lady language Lear Leontes London lovers Lysander Macbeth magic male Mamillius marriage masque means ment metaphor Midsummer Night's Dream mimetic mind Miranda mother murder Nashe's nature Neoplatonist Oberon Ovid Paulina Perdita play's plot Polixenes Portia Posthumus present Prospero psychoanalytic Puck Pyramus Queen reality Renaissance role Romeo says scene seems sense sexual Shake Shakespeare significant sleep social speak speare's speech spirit stage Stephano Stephen Orgel strange suggests symbolic Tempest theatrical thee theme Theseus things thou tion Titania transformation Trinculo University Press vision wife Winter's Tale words