Shakespearean CriticismGale Research International, Limited, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 335
... Autolycus , son of the god Mercury . While Shakespeare's Autolycus is " littered under Mercury " in the sense , one presumes , that he was born when the planet Mercury was in the ascendant , his namesake was actually sired by the god ...
... Autolycus , son of the god Mercury . While Shakespeare's Autolycus is " littered under Mercury " in the sense , one presumes , that he was born when the planet Mercury was in the ascendant , his namesake was actually sired by the god ...
Seite 340
Michele Lee. if we tilt the text toward Autolycus the trickster , the moment becomes resonant with the mythology of the trickster archetype , and Autolycus can be seen as a stand - in for the artist himself , endowed with Mercury's gifts ...
Michele Lee. if we tilt the text toward Autolycus the trickster , the moment becomes resonant with the mythology of the trickster archetype , and Autolycus can be seen as a stand - in for the artist himself , endowed with Mercury's gifts ...
Seite 372
... Autolycus has set out to please is already under his spell . Moreover , Autolycus is a seller and singer of music ; his entrance in the fourth act is the first appearance of music in the play . In all he sings six songs and snatches of ...
... Autolycus has set out to please is already under his spell . Moreover , Autolycus is a seller and singer of music ; his entrance in the fourth act is the first appearance of music in the play . In all he sings six songs and snatches of ...
Inhalt
Dreams in Shakespeare | 1 |
A Midsummer Nights Dream | 84 |
The Winters Tale | 295 |
Urheberrecht | |
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action Alonso Antonio appears Ariel audience Autolycus becomes Bohemia Bottom Caesar Caliban characters comedy comic critics cultural Cymbeline daughter death Demetrius desire dramatic Elizabethan essay experience eyes fairies fantasy father fear Ferdinand fiction figure Florizel Freud Gonzalo Hamlet hath Helena Hermia Hermione Hermione's Hippolyta human illusion imagination interpretation island king King Lear Lady language Lear Leontes London lovers Lysander Macbeth magic male Mamillius marriage masque means ment metaphor Midsummer Night's Dream mimetic mind Miranda mother murder Nashe's nature Neoplatonist Oberon Ovid Paulina Perdita play's plot Polixenes Portia Posthumus present Prospero psychoanalytic Puck Pyramus Queen reality Renaissance role Romeo says scene seems sense sexual Shake Shakespeare significant sleep social speak speare's speech spirit stage Stephano Stephen Orgel strange suggests symbolic Tempest theatrical thee theme Theseus things thou tion Titania transformation Trinculo University Press vision wife Winter's Tale words