Shakespearean CriticismGale Research International, Limited, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 223
... Ariel or Ferdinand . He presumably does not know of Ferdinand at all , and he may be oblivious to Ariel's existence . He suffers the pinches caused by Ariel , but he assigns such bodily punishments to Prospero's magic . Caliban insists ...
... Ariel or Ferdinand . He presumably does not know of Ferdinand at all , and he may be oblivious to Ariel's existence . He suffers the pinches caused by Ariel , but he assigns such bodily punishments to Prospero's magic . Caliban insists ...
Seite 239
... Ariel's bidding , they serve as the ground of common experience , the frame within which the action and reconciliation have occurred . Ariel re- ports that he has left them asleep " with a charm join'd to their suffer'd labor " ( 231 ) ...
... Ariel's bidding , they serve as the ground of common experience , the frame within which the action and reconciliation have occurred . Ariel re- ports that he has left them asleep " with a charm join'd to their suffer'd labor " ( 231 ) ...
Seite 248
... Ariel we are being led to think of him as someone like a sorcerer's medium who knows more than anyone possibly could unless consciousness inhabited the very nature of things and took a voice . But the most provocative indications that Ariel ...
... Ariel we are being led to think of him as someone like a sorcerer's medium who knows more than anyone possibly could unless consciousness inhabited the very nature of things and took a voice . But the most provocative indications that Ariel ...
Inhalt
Dreams in Shakespeare | 1 |
A Midsummer Nights Dream | 84 |
The Winters Tale | 295 |
Urheberrecht | |
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action Alonso Antonio appears Ariel audience Autolycus becomes Bohemia Bottom Caesar Caliban characters comedy comic critics cultural Cymbeline daughter death Demetrius desire dramatic Elizabethan essay experience eyes fairies fantasy father fear Ferdinand fiction figure Florizel Freud Gonzalo Hamlet hath Helena Hermia Hermione Hermione's Hippolyta human illusion imagination interpretation island king King Lear Lady language Lear Leontes London lovers Lysander Macbeth magic male Mamillius marriage masque means ment metaphor Midsummer Night's Dream mimetic mind Miranda mother murder Nashe's nature Neoplatonist Oberon Ovid Paulina Perdita play's plot Polixenes Portia Posthumus present Prospero psychoanalytic Puck Pyramus Queen reality Renaissance role Romeo says scene seems sense sexual Shake Shakespeare significant sleep social speak speare's speech spirit stage Stephano Stephen Orgel strange suggests symbolic Tempest theatrical thee theme Theseus things thou tion Titania transformation Trinculo University Press vision wife Winter's Tale words