Laurie and ClaireBlack Swan, 1996 - 476 Seiten When they were children at Foscote an enduring, unbreakable bond was forged between Laurie Stone and Claire Haddingham. Tested by dawning adulthood, their bond - mutually supportive and emotionally intense - showed every sign of prevailing, given a compromise or two. For neither Claire not Laurie - a talented TV performer and everyone's favourite party guest despite his hidden conflicts - could contemplate life without the other. But then Lydia arrived on the scene. Strong and bold was Lydia's style of beauty - hers was not the soft and gentle kind. Danger filled the house. Claire felt this most surely. It emanated, she considered, from Lydia's air of malign purpose. Claire had long observed in herself a capacity for ruthlessness where her love for Laurie was concerned. The question became, how far would she go? Laurie and Claire is a passionate story of obsessional love in which the conflicting drives of sexuality and loyalty are played out against a background of growing menace. Potent as a dream, it delights and shocks as it conveys the reader into the minds and desires of Laurie and Claire - and Lydia. |
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Seite 13
... worry better. Of course, it might seem that you're already intimately familiar with your worry because if your worry is excessive and out of control, you might worry most of the time. However, we often find that our patients are ...
... worry better. Of course, it might seem that you're already intimately familiar with your worry because if your worry is excessive and out of control, you might worry most of the time. However, we often find that our patients are ...
Seite 50
... worry diary: • The nature of GAD is that clients will worry about 'everything'. However, there will nevertheless often be recurring worry themes. These recurring worry themes will link to 'the heart of worry', those aspirations and ...
... worry diary: • The nature of GAD is that clients will worry about 'everything'. However, there will nevertheless often be recurring worry themes. These recurring worry themes will link to 'the heart of worry', those aspirations and ...
Seite 87
... worry. The more we believe worry serves a purpose (for example, it distracts us from the reality of the moment, motivates us, and so on), the more we worry. We also learned that in to order to give up worry, a first step is to stop that ...
... worry. The more we believe worry serves a purpose (for example, it distracts us from the reality of the moment, motivates us, and so on), the more we worry. We also learned that in to order to give up worry, a first step is to stop that ...
Inhalt
Abschnitt 1 | 7 |
Abschnitt 2 | 11 |
Abschnitt 3 | 19 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
arrived asked Aunt Margaret Aunt Sabine baldachin better breath chair Claire's close course cover girl cried darling dear Dennis Price door drink eyes face father feel feet felt fingers floor Foscote friends front girl glass gone grinned Haddingham hair hand head Jeanette Jeanette's JOANNA TROLLOPE kitchen knew Laurie and Claire Laurie Stone Laurie's look Lydia Maman Margaret Stone mind Miss Thwaite Monica morning mother never night no-one number 97 paused Peter Stone piano Prestbury pulled round seemed Senior Common Room side sideboard sitting sitting-room smile someone soon sorry sort sound St Ives stared stood suddenly suppose sure tell Thanks there's things thought tomorrow took trying turned Uncle Peter Utterby voice waiting walked watching window wonder words worry Yeah