Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 8Indiana University Press, 1986 |
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Seite 34
... street in Chinatown and transform the squares into fairgrounds ” ? Notes Our special thanks to Mitsuya Yamada for the authorization to quote her two poems “ Looking Out ” and “ Mirror , Mirror . " Audre Lorde , " The Master's Tools Will ...
... street in Chinatown and transform the squares into fairgrounds ” ? Notes Our special thanks to Mitsuya Yamada for the authorization to quote her two poems “ Looking Out ” and “ Mirror , Mirror . " Audre Lorde , " The Master's Tools Will ...
Seite 73
... street , where vertical skyscrapers cannot break the curse of a boundless horizon . A street in one of these barrios which sprawl endlessly , as if the city had been forced to repeat the earth's gesture . Horizontal vertigo . . . . A ...
... street , where vertical skyscrapers cannot break the curse of a boundless horizon . A street in one of these barrios which sprawl endlessly , as if the city had been forced to repeat the earth's gesture . Horizontal vertigo . . . . A ...
Seite 77
... street , even in the middle of the city . In those days , towards the end of the last century , the tango had barely been born . It still had a naive , shrill tone and a marvelous aroma of wild grass . This original tango spoke in the ...
... street , even in the middle of the city . In those days , towards the end of the last century , the tango had barely been born . It still had a naive , shrill tone and a marvelous aroma of wild grass . This original tango spoke in the ...
Inhalt
Introduction | 3 |
DISCOURSE | 8 |
A Special Third World Women Issue | 11 |
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Häufige Begriffe und Wortgruppen
absence Algerian American Arab Argentina Asian asked Assia Djebar Audre Lorde authentic Bell Hooks black women body Buenos Aires cabaret dancers chain of desire China Chinese cinema context culture dance Delacroix difference discourse displacement distance dream empty Europe everywhere exile exist eyes face fear feel feminine feminist figure Film Festival found footage gaucho gaze gender gesture harem heard immigrants India Cabaret Indian invented issue language liberation look Lorde male Mas'udah masculine meaning metaphor Mira Mira Nair mirror Mitsuye Yamada mother move narrative never night nostalgia oppressed Orient Ortiz pampa piropo play political Porteño present questions Rekha remains representation right speech sense sexual silence song Sooni Sooni Taraporevala space speak story street talking back tango Thornton tion Trinh trompe l'oeil veil voice Western woman Women of Algiers women of color words writing