Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 8Indiana University Press, 1986 |
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Seite 4
... remains of colonialism " ( Kaplan ) , then the porteña in exile cannot but look both ways in writing the difference . Taking as the starting point of discussion Delacroix's shim- mering world of Algerian women ( in Femmes d'Alger ) with ...
... remains of colonialism " ( Kaplan ) , then the porteña in exile cannot but look both ways in writing the difference . Taking as the starting point of discussion Delacroix's shim- mering world of Algerian women ( in Femmes d'Alger ) with ...
Seite 7
... remains unheard , opaque , incomprehensi- ble to the dominant's ear . As Marguerite Duras phrases it , “ Men are the ones who started to speak , to speak alone and for every- one else , on behalf of everyone else . . . . They activated ...
... remains unheard , opaque , incomprehensi- ble to the dominant's ear . As Marguerite Duras phrases it , “ Men are the ones who started to speak , to speak alone and for every- one else , on behalf of everyone else . . . . They activated ...
Seite 86
... remains are minimal : " All that remains can be held in the palm of one hand . . . " ( BA 23 ) . " Everywhere else the Indians have left traces behind them . Here , there is nothing left . No other Latin American Indian people have ...
... remains are minimal : " All that remains can be held in the palm of one hand . . . " ( BA 23 ) . " Everywhere else the Indians have left traces behind them . Here , there is nothing left . No other Latin American Indian people have ...
Inhalt
Introduction | 3 |
DISCOURSE | 8 |
A Special Third World Women Issue | 11 |
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Häufige Begriffe und Wortgruppen
absence Algerian American Arab Argentina Asian asked Assia Djebar Audre Lorde authentic Bell Hooks black women body Buenos Aires cabaret dancers chain of desire China Chinese cinema context culture dance Delacroix difference discourse displacement distance dream empty Europe everywhere exile exist eyes face fear feel feminine feminist figure Film Festival found footage gaucho gaze gender gesture harem heard immigrants India Cabaret Indian invented issue language liberation look Lorde male Mas'udah masculine meaning metaphor Mira Mira Nair mirror Mitsuye Yamada mother move narrative never night nostalgia oppressed Orient Ortiz pampa piropo play political Porteño present questions Rekha remains representation right speech sense sexual silence song Sooni Sooni Taraporevala space speak story street talking back tango Thornton tion Trinh trompe l'oeil veil voice Western woman Women of Algiers women of color words writing