Im Buch
Ergebnisse 1-3 von 18
Seite 4
Aires is only exotic in relation to the West , and if “ Westerners come to Buenos Aires ( mainly ) to see the reflection of their own cultures mirrored back at them through the vestigial remains of colonialism ” ( Kaplan ) , then the ...
Aires is only exotic in relation to the West , and if “ Westerners come to Buenos Aires ( mainly ) to see the reflection of their own cultures mirrored back at them through the vestigial remains of colonialism ” ( Kaplan ) , then the ...
Seite 105
Beginning with the portrait photograph , which inscribes the relation of division and sexuality ( the woman to the left , the man to the right ) , the film constructs a grid of complex spatial ( metaphorical ) correspondences between ...
Beginning with the portrait photograph , which inscribes the relation of division and sexuality ( the woman to the left , the man to the right ) , the film constructs a grid of complex spatial ( metaphorical ) correspondences between ...
Seite 108
Because of this shift in contextuality it would have an impossible spatial and temporal relation to narrative space . This is precisely what Adynata explores . Each shot , each sequence , does not build towards a final closure , and the ...
Because of this shift in contextuality it would have an impossible spatial and temporal relation to narrative space . This is precisely what Adynata explores . Each shot , each sequence , does not build towards a final closure , and the ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
Introduction | 3 |
DISCOURSE | 8 |
A Special Third World Women Issue | 11 |
7 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
absence Adynata Algiers American appears asked becomes body Buenos Aires Cabaret China Chinese closed color comes completely constructed context continue culture dance dancers desire difference discourse distance dream empty exist expression eyes face fact fear feel female feminine figure film gaze girl gives going hand heard identity Indian issue language less live look lost male meaning mirror mother move movement nature never night object once oppressed Orient origin past play political Porteño position possible present questions reflection relation remains representation response seems seen sense silence sound space speak speech story street talk tango things Third World tion turn veil voice Western whole woman women writing