Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 8Indiana University Press, 1986 |
Im Buch
Ergebnisse 1-3 von 9
Seite 22
... position to decide what / who is AUTHENTIC and what / who is not . No uprooted person is invited to participate in this “ special ” wo / man's issue unless s / he MAKES UP her / his mind and paints her / himself thick with au ...
... position to decide what / who is AUTHENTIC and what / who is not . No uprooted person is invited to participate in this “ special ” wo / man's issue unless s / he MAKES UP her / his mind and paints her / himself thick with au ...
Seite 97
... position of Buenos Aires makes it both vulnerable and viable . In European terms , it re- mains marginal — off to one side . Yet , in this position the skill to move back and forth between marginal and central discourses becomes crucial ...
... position of Buenos Aires makes it both vulnerable and viable . In European terms , it re- mains marginal — off to one side . Yet , in this position the skill to move back and forth between marginal and central discourses becomes crucial ...
Seite 103
... position outside language , a lack of speech , as a response in itself , a form of signification that treats these representations to both an emptying out and redistribution of meaning . The opening sequence of the film begins with a ...
... position outside language , a lack of speech , as a response in itself , a form of signification that treats these representations to both an emptying out and redistribution of meaning . The opening sequence of the film begins with a ...
Inhalt
Introduction | 3 |
DISCOURSE | 8 |
A Special Third World Women Issue | 11 |
7 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
absence Algerian American Arab Argentina Asian asked Assia Djebar Audre Lorde authentic Bell Hooks black women body Buenos Aires cabaret dancers chain of desire China Chinese cinema context culture dance Delacroix difference discourse displacement distance dream empty Europe everywhere exile exist eyes face fear feel feminine feminist figure Film Festival found footage gaucho gaze gender gesture harem heard immigrants India Cabaret Indian invented issue language liberation look Lorde male Mas'udah masculine meaning metaphor Mira Mira Nair mirror Mitsuye Yamada mother move narrative never night nostalgia oppressed Orient Ortiz pampa piropo play political Porteño present questions Rekha remains representation right speech sense sexual silence song Sooni Sooni Taraporevala space speak story street talking back tango Thornton tion Trinh trompe l'oeil veil voice Western woman Women of Algiers women of color words writing