Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 8Indiana University Press, 1986 |
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Seite 3
... never installed within marginality , one never dwells outside it . Of im- portance to the texts included in this issue is the place / s of post- colonial woman as writing and written subject . Difference is at the crux of the challenges ...
... never installed within marginality , one never dwells outside it . Of im- portance to the texts included in this issue is the place / s of post- colonial woman as writing and written subject . Difference is at the crux of the challenges ...
Seite 20
... never came to the business table as equals . Women of color joined us on our terms . . . . I started seeing the similarities with how men have excluded the participation of women in their work through Roberts Rules of Order ...
... never came to the business table as equals . Women of color joined us on our terms . . . . I started seeing the similarities with how men have excluded the participation of women in their work through Roberts Rules of Order ...
Seite 86
... never held a corporal or con- crete manifestation for the contemporary Argentinian : " Mourn- ing the massacre of the Indians is an abstract idea . We have never seen these Indians " ( BA 31 ) . Yet , the inability to monumentalize ...
... never held a corporal or con- crete manifestation for the contemporary Argentinian : " Mourn- ing the massacre of the Indians is an abstract idea . We have never seen these Indians " ( BA 31 ) . Yet , the inability to monumentalize ...
Inhalt
Introduction | 3 |
DISCOURSE | 8 |
A Special Third World Women Issue | 11 |
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Häufige Begriffe und Wortgruppen
absence Algerian American Arab Argentina Asian asked Assia Djebar Audre Lorde authentic Bell Hooks black women body Buenos Aires cabaret dancers chain of desire China Chinese cinema context culture dance Delacroix difference discourse displacement distance dream empty Europe everywhere exile exist eyes face fear feel feminine feminist figure Film Festival found footage gaucho gaze gender gesture harem heard immigrants India Cabaret Indian invented issue language liberation look Lorde male Mas'udah masculine meaning metaphor Mira Mira Nair mirror Mitsuye Yamada mother move narrative never night nostalgia oppressed Orient Ortiz pampa piropo play political Porteño present questions Rekha remains representation right speech sense sexual silence song Sooni Sooni Taraporevala space speak story street talking back tango Thornton tion Trinh trompe l'oeil veil voice Western woman Women of Algiers women of color words writing