Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 8Indiana University Press, 1986 |
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Seite 68
... constructed language , the same way that the “ reality ” of a film is a fabricated one . The language of the film coupled with the actual portraiture of the women did open people's eyes in a way . It was always all around them but ...
... constructed language , the same way that the “ reality ” of a film is a fabricated one . The language of the film coupled with the actual portraiture of the women did open people's eyes in a way . It was always all around them but ...
Seite 97
... constructed by separations : “ At what moment does the good - bye begin ? It slyly infiltrated the quarters of my life . Childhood to the west . Adulthood to the east . In this I have been very typical , very traditional , very ' tango ...
... constructed by separations : “ At what moment does the good - bye begin ? It slyly infiltrated the quarters of my life . Childhood to the west . Adulthood to the east . In this I have been very typical , very traditional , very ' tango ...
Seite 98
... constructed in the mirror of Man's desire . The Porteña in this text struggles with the parts that make her . She comes to realize that her predicament is not radical opposition but splintered pieces . The textual whole she creates does ...
... constructed in the mirror of Man's desire . The Porteña in this text struggles with the parts that make her . She comes to realize that her predicament is not radical opposition but splintered pieces . The textual whole she creates does ...
Inhalt
Introduction | 3 |
DISCOURSE | 8 |
A Special Third World Women Issue | 11 |
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Häufige Begriffe und Wortgruppen
absence Algerian American Arab Argentina Asian asked Assia Djebar Audre Lorde authentic Bell Hooks black women body Buenos Aires cabaret dancers chain of desire China Chinese cinema context culture dance Delacroix difference discourse displacement distance dream empty Europe everywhere exile exist eyes face fear feel feminine feminist figure Film Festival found footage gaucho gaze gender gesture harem heard immigrants India Cabaret Indian invented issue language liberation look Lorde male Mas'udah masculine meaning metaphor Mira Mira Nair mirror Mitsuye Yamada mother move narrative never night nostalgia oppressed Orient Ortiz pampa piropo play political Porteño present questions Rekha remains representation right speech sense sexual silence song Sooni Sooni Taraporevala space speak story street talking back tango Thornton tion Trinh trompe l'oeil veil voice Western woman Women of Algiers women of color words writing