Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 17Indiana University Press, 1994 |
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Seite 86
... space , the sort of space ostensi- bly inhabited by the ideal observer ? What is the nature of sceno- graphic space in Pudovkin's silent cinema ? To what extent is there a coherent dramatic terrain and system of continuity editing to ...
... space , the sort of space ostensi- bly inhabited by the ideal observer ? What is the nature of sceno- graphic space in Pudovkin's silent cinema ? To what extent is there a coherent dramatic terrain and system of continuity editing to ...
Seite 88
... space of the scene to become unstable from shot to shot . We can lose track of where this or that closeup is supposed to be at any given time . If settings are altered from shot to shot and if the editing cheats or elides , even the ...
... space of the scene to become unstable from shot to shot . We can lose track of where this or that closeup is supposed to be at any given time . If settings are altered from shot to shot and if the editing cheats or elides , even the ...
Seite 104
... space and cutting as well as the historical development of a style . Reviewing a similar phenomenon in French films from 1900 to 1914 , Ben Brewster suggests that we may have been addressing the wrong question in our emphasis on deep ...
... space and cutting as well as the historical development of a style . Reviewing a similar phenomenon in French films from 1900 to 1914 , Ben Brewster suggests that we may have been addressing the wrong question in our emphasis on deep ...
Inhalt
Womens Cultural Combat | 3 |
Looking for Lesbians | 16 |
Walking the Walk | 47 |
Urheberrecht | |
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