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Seite 80
Many of the pamphlets , leaflets , and speeches of the WSPU take up the rhetoric of prison reform and insist that the suffragettes were in the prisons , in part , to assist their nonactivist sisters . Annie Kenney's pamphlet “ Prison ...
Many of the pamphlets , leaflets , and speeches of the WSPU take up the rhetoric of prison reform and insist that the suffragettes were in the prisons , in part , to assist their nonactivist sisters . Annie Kenney's pamphlet “ Prison ...
Seite 81
From the beginning of Prisons and Prisoners , Lytton justifies her political involvement in militant activism through a womanly ... quite oddly , by transforming the prison from a disciplinary location to an uncanny domestic sphere .
From the beginning of Prisons and Prisoners , Lytton justifies her political involvement in militant activism through a womanly ... quite oddly , by transforming the prison from a disciplinary location to an uncanny domestic sphere .
Seite 92
( 39 , 41 ) loSignificantly , the world of Prisons and Prisoners is a world pitted against a conventional display of femininity . The physician's office contains the only mirror in the prison , thus woman's self - regard , if exercised ...
( 39 , 41 ) loSignificantly , the world of Prisons and Prisoners is a world pitted against a conventional display of femininity . The physician's office contains the only mirror in the prison , thus woman's self - regard , if exercised ...
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Inhalt
The Teachers Breasts | 3 |
Looking for Lesbians | 16 |
Walking the Walk | 47 |
Urheberrecht | |
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activism American appears argues audience authority become begins body calls cinema collective construction contemporary context continues course critical culture describes desire discourse discussion early effect essay example experience fact fashion female feminine feminism feminist figure film finally gender hand identity images important individual interest issue kind lesbian lives look male means memory menopause mother move musical narrative nature never notes O'Rourke offers particular performance play political popular position possible practice present prison produced prostitute question recent reference relation representation represented role Russian scene seems sense sexual social society Soviet space speak specific spectator story street student Studies suffrage suggests tell theory tion turn University voice woman women writes York