Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 17Indiana University Press, 1994 |
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Seite 81
... never ceases to be culturally and historically specific . If we look at How Nice to See You Alive as engaging us in a Freirean dialogue working toward a " critical consciousness " of women in Brazil , then we see exactly how the film ...
... never ceases to be culturally and historically specific . If we look at How Nice to See You Alive as engaging us in a Freirean dialogue working toward a " critical consciousness " of women in Brazil , then we see exactly how the film ...
Seite 183
... Never Never , highlight- ing the specific narratives of racial and gendered colonization in the Australian outback as they are constructed in " sutured " representa- tions . It is in this third chapter that Donaldson introduces her own ...
... Never Never , highlight- ing the specific narratives of racial and gendered colonization in the Australian outback as they are constructed in " sutured " representa- tions . It is in this third chapter that Donaldson introduces her own ...
Seite 73
... never yet been in a mixed crowd before in all our lives ? - never as a part of it " ( 78 ) . Imagining she is " part of " the crowd , Vida is actually positioned as detached observer , gazing upon the exotic underworld of London : They ...
... never yet been in a mixed crowd before in all our lives ? - never as a part of it " ( 78 ) . Imagining she is " part of " the crowd , Vida is actually positioned as detached observer , gazing upon the exotic underworld of London : They ...
Inhalt
Womens Cultural Combat | 3 |
Looking for Lesbians | 16 |
Walking the Walk | 47 |
Urheberrecht | |
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