Revaluation: Tradition & Development in English PoetryChatto & Windus, 1953 - 275 Seiten |
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Seite 203
Tradition & Development in English Poetry Frank Raymond Leavis. CHAPTER SIX Shelley [ F Shelley had not received some ... Shelley's poetry . For they would seem to be obvious enough . Yet it is only one incitement out of many when a ...
Tradition & Development in English Poetry Frank Raymond Leavis. CHAPTER SIX Shelley [ F Shelley had not received some ... Shelley's poetry . For they would seem to be obvious enough . Yet it is only one incitement out of many when a ...
Seite 207
... Shelley's genius was essentially lyrical . ' This predicate would , in common use , imply a special emotional intensity — a vague gloss , but it is difficult to go further without slipping into terms that are immedi- ately privative and ...
... Shelley's genius was essentially lyrical . ' This predicate would , in common use , imply a special emotional intensity — a vague gloss , but it is difficult to go further without slipping into terms that are immedi- ately privative and ...
Seite 211
... Shelley's poetry is divorced from thought needs examining further . Any suspicion that Donne is the implied criterion will , perhaps , be finally averted if for the ... Shelley's . The essential difference , however — and it 211 SHELLEY.
... Shelley's poetry is divorced from thought needs examining further . Any suspicion that Donne is the implied criterion will , perhaps , be finally averted if for the ... Shelley's . The essential difference , however — and it 211 SHELLEY.
Inhalt
Introduction | 1 |
THE LINE OF | 10 |
Note Popes Satiric Modes | 92 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. C. Bradley aesthetic aestheticism Arnold Augustan beauty Ben Jonson bright characteristic cloud Coleridge contemplation contrast course Donne Dryden Dunciad effect eighteenth century emotional English English Poetry essential experience fact feeling genius grasp habit heart hounds of spring human Hyperion imagery imagination insistence inspiration intensity Jonson Keats Keats's kind literary living luxury Lycidas lyrical Marvell's Matthew Arnold ment merely Metaphysical Milton mind mode Mont Blanc moral movement nature ness Nightingale o'er obvious offered Othello Oxford Book Paradise Lost passage phrase plain poem poet poetic Pope Pope's Prelude present prose reader realization relation representative rich Romantic satiric seems sense sensibility sensuous Shakespeare Shelley Shelley's Shelleyan significant solemn song soul spirit stanza strength suggest sweet Symons Tennyson thee things thou thought Tintern Abbey tion tone tradition tranquillity turn uncon verse Victorian winds words Wordsworth Wordsworth's poetry