Germany's Three Reichs: Their History and CultureA. Dakers, 1944 - 420 Seiten |
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Seite 87
... influence was succeeded by imitation of the French . The art of Versailles and the rococo style became German styles between 1650 and 1750 . From all this literary and artistic evolution the conclusion is to be drawn that German art was ...
... influence was succeeded by imitation of the French . The art of Versailles and the rococo style became German styles between 1650 and 1750 . From all this literary and artistic evolution the conclusion is to be drawn that German art was ...
Seite 161
... influence over the nation through its concentration and accumulation of immense capital resources . The less ... influence of rationalism and pietist sentimentality , or finally to the many foreign influences to which Germany was ...
... influence over the nation through its concentration and accumulation of immense capital resources . The less ... influence of rationalism and pietist sentimentality , or finally to the many foreign influences to which Germany was ...
Seite 189
... influence , through the spread of the political principles that inspire them , but also to found and maintain colonial empires of vast dimensions . The German countries , on the contrary , claim to be at one and the same time a nation ...
... influence , through the spread of the political principles that inspire them , but also to found and maintain colonial empires of vast dimensions . The German countries , on the contrary , claim to be at one and the same time a nation ...
Inhalt
PREFACE TO THE ENGLISH EDITION | 19 |
THE HOLY ROMAN EMPIRE | 41 |
THE LUTHERAN REFORMATION AND ITS CON | 67 |
Urheberrecht | |
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