The Dramatic Censor: Or, Critical Companion ...J. Bell, 1770 - 80 Seiten |
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... considerable pleasure in Ham- let , which was , however , chiefly derived from a fine figure and musical voice ; but declamation and originality were wanting . Mr. SHERIDAN , under the difadvantage of a moderate person , and still more ...
... considerable pleasure in Ham- let , which was , however , chiefly derived from a fine figure and musical voice ; but declamation and originality were wanting . Mr. SHERIDAN , under the difadvantage of a moderate person , and still more ...
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againſt agreeable alfo alſo appears audience Beggar's Opera Cato cauſe cenfure character circumftance confequence confiderable converfation Cymon Cyrus deferves defign defire expreffed expreffion Fair Penitent fatire favour fays fcene fecond feelings feems feen fenfe fenfible fentiments feveral fhall fhews fhort fhould firft firſt fituation foliloquy fome fong fpeaks fpeech fpirit ftands ftate ftile ftriking ftrong fuch fuitable fuppofe fupported furniſhed gives happily Harpagus herſelf himſelf houſe humour huſband inftructive Jaffier juft juftice Juliet juſt King King Lear lady laft lefs Linco Macbeth Mandane mention Merchant of Venice merit Mifs moft moſt muft muſt nature obfervation occafions Othello paffages paffion perfon piece pleafing pleaſe pleaſure poffeffed praiſe prefent promifes purpoſe racter raiſe reaſon refolution refpect repreſentation Rofalind Romeo Romeo and Juliet ſcene ſeems ſhall ſhe ſpeak ſtage ſtate ſuch Syphax Teribazus theſe third act thofe thoſe tion uſeful Venice Preferved whofe wiſh Zenobia