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Seite 50
The notion of a social imaginary suggests that a work of adjustment of primordial imaginaries toward a more conscious , symbolic , and shared ideal takes place in culture , a kind of work which can be seen in regard to women since ...
The notion of a social imaginary suggests that a work of adjustment of primordial imaginaries toward a more conscious , symbolic , and shared ideal takes place in culture , a kind of work which can be seen in regard to women since ...
Seite 56
Rough music was aggressive and masculine , and certainly can be seen as part of a specific kind of masquerading which ethologists describe as “ display . ” Nonetheless , given the gender and liminal status of the young “ musicians ...
Rough music was aggressive and masculine , and certainly can be seen as part of a specific kind of masquerading which ethologists describe as “ display . ” Nonetheless , given the gender and liminal status of the young “ musicians ...
Seite 92
Purity was seen as manifest in the work : the austere absence of decoration , the truth to materials , and the honest expression of the structural logic of the building all testified to the fulfillment of the quest for purity .
Purity was seen as manifest in the work : the austere absence of decoration , the truth to materials , and the honest expression of the structural logic of the building all testified to the fulfillment of the quest for purity .
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Inhalt
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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Bibliografische Informationen
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 10 |
| Mitwirkende | Project Muse, JSTOR (Organization), University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 1988 |
| Original von | University of Michigan |
| Digitalisiert | 25. Apr. 2008 |
| Zitat exportieren | BiBTeX EndNote RefMan |