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Seite 123
tractor from Mr. Wingate , the most important businessman in town and father of her fiancé . Everything here comes back to the father ; arbiter of fate , controller of the possibility of Jane's narrative , Mr. Wingate governs all ...
tractor from Mr. Wingate , the most important businessman in town and father of her fiancé . Everything here comes back to the father ; arbiter of fate , controller of the possibility of Jane's narrative , Mr. Wingate governs all ...
Seite 71
While male theorists have been busy disavowing the father , he has made his return via the channels of mass communication - rather like Jack Nicholson at the end of The Witches of Eastwick , who , having failed to ingratiate himself ...
While male theorists have been busy disavowing the father , he has made his return via the channels of mass communication - rather like Jack Nicholson at the end of The Witches of Eastwick , who , having failed to ingratiate himself ...
Seite 73
lesson about his relation to authority - i.e . , that he is the son of two fathers . ... Interestingly , in direct contrast to a film like Top Gun , which is concerned to validate the military father of the orphan / hero , or a film ...
lesson about his relation to authority - i.e . , that he is the son of two fathers . ... Interestingly , in direct contrast to a film like Top Gun , which is concerned to validate the military father of the orphan / hero , or a film ...
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Inhalt
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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activity aerobic American analysis appear architectural attempt audience authority avantgarde banality become beginning body calls claims complex continue criminal critical critique cultural studies described desire discourse discussion effects essays example exercise fact farm father female feminine feminism feminist figure film Frame function futurist gender ideal individual industry institutions interesting issue Jane kind kitsch L.A. Law language less letter live male mass means mirror movement narrative nature noise notion object performance play political popular position possible postmodern practice present Press problem production programming question reference relation representation represented seems seen sense sexual social space story strategies structure suggests symbolic television theory tion traditional trans transgression turn University viewers voice woman women writing York
Bibliografische Informationen
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 10 |
| Mitwirkende | Project Muse, JSTOR (Organization), University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 1988 |
| Original von | University of Michigan |
| Digitalisiert | 25. Apr. 2008 |
| Zitat exportieren | BiBTeX EndNote RefMan |