Making a Good Writer Great: A Creativity Workbook for ScreenwritersSilman-James Press, 1999 - 233 Seiten In any creative endeavour, craft by itself is simply not enough. Designed not just to awaken creativity, but to teach the writer the process of being creative within the context of screenwriting, this new, unique addition to Linda Seger's highly popular collection of books combines the tools necessary to learn how to think and write more creatively with indispensable screenwriting know-how. This book does just what its title professes -- provides writers with the knowledge necessary to write at the highest artistic level. |
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Seite 88
... visual thinker but find that you don't think in sounds . Or perhaps you can see the film as you write it , but don't yet think in visual metaphors . Maybe you're more of a feeling type - you can intuit your charac- ters , but don't know ...
... visual thinker but find that you don't think in sounds . Or perhaps you can see the film as you write it , but don't yet think in visual metaphors . Maybe you're more of a feeling type - you can intuit your charac- ters , but don't know ...
Seite 90
... visual thinking , I had trouble with objects in motion - such as the galloping horse , the flying bird , the track star running past the finish line . They seemed to move in fits and starts , almost like stop- motion . If you're ...
... visual thinking , I had trouble with objects in motion - such as the galloping horse , the flying bird , the track star running past the finish line . They seemed to move in fits and starts , almost like stop- motion . If you're ...
Seite 156
... visual thinking ) , either keep practicing or go back to the visual- ization exercises in the sensation chapter , work on them some more , and then return to this chapter . Think of five to ten other scenes that could fall under the ...
... visual thinking ) , either keep practicing or go back to the visual- ization exercises in the sensation chapter , work on them some more , and then return to this chapter . Think of five to ten other scenes that could fall under the ...
Inhalt
Finding Out What Fuels Your Most | 21 |
Using Your Writing to Make an Impact | 179 |
Connecting Your Spiritual Vision With | 191 |
Urheberrecht | |
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action ANALYZE Anthony Hopkins audience bad guy become beginning chapter character character's chase scene Chase Twichell comedy conflict convergent thinking create creation creative process culture dark Dead Poets Society defined dialogue divergent thinking dramatic dreams emotional evaluate evil experience explore express favorite fear feedback feel films following exercises Frasier friends Gail genre Hollywood ideas images Imagine insight integrity keep Linda lives look metaphor Mihaly Csikszentmihalyi mind move movie Muse Norma Rae notebook Notice oppositional thinking person play problem readers REFLECT relationship remember rewrite Robin Behn romantic Ron Bass s/he Schindler's List screenplay screenwriter script consultant sense shadow Shakespeare in Love side someone Sometimes Spirit story struggle subplot subtext tell themes there's things Tibet tion transformation Truman Show truth trying unconscious visual thinking watch what's wonder writ WRITE Write yearnings York