Making a Good Writer Great: A Creativity Workbook for ScreenwritersSilman-James Press, 1999 - 233 Seiten In any creative endeavour, craft by itself is simply not enough. Designed not just to awaken creativity, but to teach the writer the process of being creative within the context of screenwriting, this new, unique addition to Linda Seger's highly popular collection of books combines the tools necessary to learn how to think and write more creatively with indispensable screenwriting know-how. This book does just what its title professes -- provides writers with the knowledge necessary to write at the highest artistic level. |
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Seite 52
... subplots is not working . Or maybe you weren't focused on the driving A story , which pushes the story from the ... subplot of the love between Will and Viola . But if you forgot to mention that Shakespeare had to write a play in a ...
... subplots is not working . Or maybe you weren't focused on the driving A story , which pushes the story from the ... subplot of the love between Will and Viola . But if you forgot to mention that Shakespeare had to write a play in a ...
Seite 58
... subplot in my teaching - adventure main plot . I would keep the subplot alive through telephone calls and faxes . If I left , my main story would become a disease story , rather than an adventure story . However , there might be ...
... subplot in my teaching - adventure main plot . I would keep the subplot alive through telephone calls and faxes . If I left , my main story would become a disease story , rather than an adventure story . However , there might be ...
Seite 60
... subplot , you might think it would make a good romantic subplot . But , he'd need to be introduced earlier , since you wouldn't wait to introduce a subplot in your last act . In actuality , his ap- pearance did not begin in the third ...
... subplot , you might think it would make a good romantic subplot . But , he'd need to be introduced earlier , since you wouldn't wait to introduce a subplot in your last act . In actuality , his ap- pearance did not begin in the third ...
Inhalt
Finding Out What Fuels Your Most | 21 |
Using Your Writing to Make an Impact | 179 |
Connecting Your Spiritual Vision With | 191 |
Urheberrecht | |
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action ANALYZE Anthony Hopkins audience bad guy become beginning chapter character character's chase scene Chase Twichell comedy conflict convergent thinking create creation creative process culture dark Dead Poets Society defined dialogue divergent thinking dramatic dreams emotional evaluate evil experience explore express favorite fear feedback feel films following exercises Frasier friends Gail genre Hollywood ideas images Imagine insight integrity keep Linda lives look metaphor Mihaly Csikszentmihalyi mind move movie Muse Norma Rae notebook Notice oppositional thinking person play problem readers REFLECT relationship remember rewrite Robin Behn romantic Ron Bass s/he Schindler's List screenplay screenwriter script consultant sense shadow Shakespeare in Love side someone Sometimes Spirit story struggle subplot subtext tell themes there's things Tibet tion transformation Truman Show truth trying unconscious visual thinking watch what's wonder writ WRITE Write yearnings York