Making a Good Writer Great: A Creativity Workbook for ScreenwritersSilman-James Press, 1999 - 233 Seiten In any creative endeavour, craft by itself is simply not enough. Designed not just to awaken creativity, but to teach the writer the process of being creative within the context of screenwriting, this new, unique addition to Linda Seger's highly popular collection of books combines the tools necessary to learn how to think and write more creatively with indispensable screenwriting know-how. This book does just what its title professes -- provides writers with the knowledge necessary to write at the highest artistic level. |
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Seite 88
... sense - awareness to your work . Maybe you're an auditory person , but don't know how to use feeling and touch to enrich your work . The exercises in this chapter are designed to train your senses so that you can bring your sense ...
... sense - awareness to your work . Maybe you're an auditory person , but don't know how to use feeling and touch to enrich your work . The exercises in this chapter are designed to train your senses so that you can bring your sense ...
Seite 97
... senses , expanding your ability to be aware of the sense of touch can help make your film more colorful , richer , and more identifiable . The sense of touch can be used to ex- press the transformation of a character who may move from ...
... senses , expanding your ability to be aware of the sense of touch can help make your film more colorful , richer , and more identifiable . The sense of touch can be used to ex- press the transformation of a character who may move from ...
Seite 111
... Senses When I took Creative Drama in college , we were asked to keep a sense diary . Every day , we wrote down at least one entry for each of our five senses . It was one of the best exercises I've done to teach me to sit up and notice ...
... Senses When I took Creative Drama in college , we were asked to keep a sense diary . Every day , we wrote down at least one entry for each of our five senses . It was one of the best exercises I've done to teach me to sit up and notice ...
Inhalt
Finding Out What Fuels Your Most | 21 |
Using Your Writing to Make an Impact | 179 |
Connecting Your Spiritual Vision With | 191 |
Urheberrecht | |
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action ANALYZE Anthony Hopkins audience bad guy become beginning chapter character character's chase scene Chase Twichell comedy conflict convergent thinking create creation creative process culture dark Dead Poets Society defined dialogue divergent thinking dramatic dreams emotional evaluate evil experience explore express favorite fear feedback feel films following exercises Frasier friends Gail genre Hollywood ideas images Imagine insight integrity keep Linda lives look metaphor Mihaly Csikszentmihalyi mind move movie Muse Norma Rae notebook Notice oppositional thinking person play problem readers REFLECT relationship remember rewrite Robin Behn romantic Ron Bass s/he Schindler's List screenplay screenwriter script consultant sense shadow Shakespeare in Love side someone Sometimes Spirit story struggle subplot subtext tell themes there's things Tibet tion transformation Truman Show truth trying unconscious visual thinking watch what's wonder writ WRITE Write yearnings York