Making a Good Writer Great: A Creativity Workbook for ScreenwritersSilman-James Press, 1999 - 233 Seiten In any creative endeavour, craft by itself is simply not enough. Designed not just to awaken creativity, but to teach the writer the process of being creative within the context of screenwriting, this new, unique addition to Linda Seger's highly popular collection of books combines the tools necessary to learn how to think and write more creatively with indispensable screenwriting know-how. This book does just what its title professes -- provides writers with the knowledge necessary to write at the highest artistic level. |
Im Buch
Ergebnisse 1-3 von 11
Seite 50
... follows clues and Kimble sightings . Kimble finds the one- armed man , but realizes he's not the brains behind the murder . All evidence soon points to his best friend - Dr . Charlie Nichols . As he goes 50 MAKING A GOOD WRITER GREAT.
... follows clues and Kimble sightings . Kimble finds the one- armed man , but realizes he's not the brains behind the murder . All evidence soon points to his best friend - Dr . Charlie Nichols . As he goes 50 MAKING A GOOD WRITER GREAT.
Seite 51
... realizing that Kimble is an in- nocent man . Kimble is freed . YOUR SCRIPT Work on a one - minute pitch about your story . Is it clear ? Does it have a beginning , a middle , and an end ? Make a list of your favorite films , whether ...
... realizing that Kimble is an in- nocent man . Kimble is freed . YOUR SCRIPT Work on a one - minute pitch about your story . Is it clear ? Does it have a beginning , a middle , and an end ? Make a list of your favorite films , whether ...
Seite 175
... realizes she's saying " yes " not because she wants Charles but because she can't have Ashley . In good subtext , the melody doesn't match the lyrics . What is said and what is meant are not the same . Discovering Subtext Go to a ...
... realizes she's saying " yes " not because she wants Charles but because she can't have Ashley . In good subtext , the melody doesn't match the lyrics . What is said and what is meant are not the same . Discovering Subtext Go to a ...
Inhalt
Finding Out What Fuels Your Most | 21 |
Using Your Writing to Make an Impact | 179 |
Connecting Your Spiritual Vision With | 191 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action ANALYZE Anthony Hopkins audience bad guy become beginning chapter character character's chase scene Chase Twichell comedy conflict convergent thinking create creation creative process culture dark Dead Poets Society defined dialogue divergent thinking dramatic dreams emotional evaluate evil experience explore express favorite fear feedback feel films following exercises Frasier friends Gail genre Hollywood ideas images Imagine insight integrity keep Linda lives look metaphor Mihaly Csikszentmihalyi mind move movie Muse Norma Rae notebook Notice oppositional thinking person play problem readers REFLECT relationship remember rewrite Robin Behn romantic Ron Bass s/he Schindler's List screenplay screenwriter script consultant sense shadow Shakespeare in Love side someone Sometimes Spirit story struggle subplot subtext tell themes there's things Tibet tion transformation Truman Show truth trying unconscious visual thinking watch what's wonder writ WRITE Write yearnings York