Making a Good Writer Great: A Creativity Workbook for ScreenwritersSilman-James Press, 1999 - 233 Seiten In any creative endeavour, craft by itself is simply not enough. Designed not just to awaken creativity, but to teach the writer the process of being creative within the context of screenwriting, this new, unique addition to Linda Seger's highly popular collection of books combines the tools necessary to learn how to think and write more creatively with indispensable screenwriting know-how. This book does just what its title professes -- provides writers with the knowledge necessary to write at the highest artistic level. |
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Seite 151
... opposition . There's opposition between the antagonist and protagonist . In great dialogue , there's opposition between text and subtext — what a character says and what a character really means . There is opposition between what ...
... opposition . There's opposition between the antagonist and protagonist . In great dialogue , there's opposition between text and subtext — what a character says and what a character really means . There is opposition between what ...
Seite 163
... opposition between the foreground and back- ground , opposition within the character , and conflict between protagonist and antagonist ? YOUR SCRIPT What does your character yearn for ? What's the oppositional force working against him ...
... opposition between the foreground and back- ground , opposition within the character , and conflict between protagonist and antagonist ? YOUR SCRIPT What does your character yearn for ? What's the oppositional force working against him ...
Seite 173
... opposition between characters often comes out in the relationship between the text and the subtext in the dialogue ... opposition and tension . Occasionally a character knows his or her subtext but doesn't want to say it directly . THE ...
... opposition between characters often comes out in the relationship between the text and the subtext in the dialogue ... opposition and tension . Occasionally a character knows his or her subtext but doesn't want to say it directly . THE ...
Inhalt
Finding Out What Fuels Your Most | 21 |
Using Your Writing to Make an Impact | 179 |
Connecting Your Spiritual Vision With | 191 |
Urheberrecht | |
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