Making a Good Writer Great: A Creativity Workbook for ScreenwritersSilman-James Press, 1999 - 233 Seiten In any creative endeavour, craft by itself is simply not enough. Designed not just to awaken creativity, but to teach the writer the process of being creative within the context of screenwriting, this new, unique addition to Linda Seger's highly popular collection of books combines the tools necessary to learn how to think and write more creatively with indispensable screenwriting know-how. This book does just what its title professes -- provides writers with the knowledge necessary to write at the highest artistic level. |
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Seite 8
... ideas about how to further layer and shade your work . Preparation Creativity often begins with memories that join with imagi- nation and ideas from other sources to form complex com- binations . According to writer Arthur Koestler ...
... ideas about how to further layer and shade your work . Preparation Creativity often begins with memories that join with imagi- nation and ideas from other sources to form complex com- binations . According to writer Arthur Koestler ...
Seite 26
... ideas into a linear direction usually along predictable or familiar lines , " says psychologist Mihaly Csikszentmihalyi . If the ideas come , they're obvious and predictable . But by waiting , allowing the unconscious to incubate and ...
... ideas into a linear direction usually along predictable or familiar lines , " says psychologist Mihaly Csikszentmihalyi . If the ideas come , they're obvious and predictable . But by waiting , allowing the unconscious to incubate and ...
Seite 67
... ideas that get under your skin . Ideas that prick at you , grab at you , and don't let go . Sometimes these ideas come flooding back at you , years later . They clarify the meaning of our human experience . They give a film substance ...
... ideas that get under your skin . Ideas that prick at you , grab at you , and don't let go . Sometimes these ideas come flooding back at you , years later . They clarify the meaning of our human experience . They give a film substance ...
Inhalt
Finding Out What Fuels Your Most | 21 |
Using Your Writing to Make an Impact | 179 |
Connecting Your Spiritual Vision With | 191 |
Urheberrecht | |
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action ANALYZE Anthony Hopkins audience bad guy become beginning chapter character character's chase scene Chase Twichell comedy conflict convergent thinking create creation creative process culture dark Dead Poets Society defined dialogue divergent thinking dramatic dreams emotional evaluate evil experience explore express favorite fear feedback feel films following exercises Frasier friends Gail genre Hollywood ideas images Imagine insight integrity keep Linda lives look metaphor Mihaly Csikszentmihalyi mind move movie Muse Norma Rae notebook Notice oppositional thinking person play problem readers REFLECT relationship remember rewrite Robin Behn romantic Ron Bass s/he Schindler's List screenplay screenwriter script consultant sense shadow Shakespeare in Love side someone Sometimes Spirit story struggle subplot subtext tell themes there's things Tibet tion transformation Truman Show truth trying unconscious visual thinking watch what's wonder writ WRITE Write yearnings York