Making a Good Writer Great: A Creativity Workbook for ScreenwritersSilman-James Press, 1999 - 233 Seiten In any creative endeavour, craft by itself is simply not enough. Designed not just to awaken creativity, but to teach the writer the process of being creative within the context of screenwriting, this new, unique addition to Linda Seger's highly popular collection of books combines the tools necessary to learn how to think and write more creatively with indispensable screenwriting know-how. This book does just what its title professes -- provides writers with the knowledge necessary to write at the highest artistic level. |
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Seite 12
... comedy , a horror , a sci - fi , and a soap . Although this can be one way to find your voice and see which you prefer , it's almost impossible to learn all the underlying rules and concepts of such diverse genres . Once you find a ...
... comedy , a horror , a sci - fi , and a soap . Although this can be one way to find your voice and see which you prefer , it's almost impossible to learn all the underlying rules and concepts of such diverse genres . Once you find a ...
Seite 34
... comedy is , how long the scenes are , how often the antagonist appears , how the writer achieved tension and suspense , how the scene sequences work , and then I also analyze the individual characters . This is analytical and mechanical ...
... comedy is , how long the scenes are , how often the antagonist appears , how the writer achieved tension and suspense , how the scene sequences work , and then I also analyze the individual characters . This is analytical and mechanical ...
Seite 63
... comedy ? A farce ? A musi- cal comedy ( à la The King and I ) ? Do this same exercise by taking storylines from the tabloids.2 This is an exercise that you can do daily , quickly skim- ming the newspaper to collect possibilities ...
... comedy ? A farce ? A musi- cal comedy ( à la The King and I ) ? Do this same exercise by taking storylines from the tabloids.2 This is an exercise that you can do daily , quickly skim- ming the newspaper to collect possibilities ...
Inhalt
Finding Out What Fuels Your Most | 21 |
Using Your Writing to Make an Impact | 179 |
Connecting Your Spiritual Vision With | 191 |
Urheberrecht | |
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action ANALYZE Anthony Hopkins audience bad guy become beginning chapter character character's chase scene Chase Twichell comedy conflict convergent thinking create creation creative process culture dark Dead Poets Society defined dialogue divergent thinking dramatic dreams emotional evaluate evil experience explore express favorite fear feedback feel films following exercises Frasier friends Gail genre Hollywood ideas images Imagine insight integrity keep Linda lives look metaphor Mihaly Csikszentmihalyi mind move movie Muse Norma Rae notebook Notice oppositional thinking person play problem readers REFLECT relationship remember rewrite Robin Behn romantic Ron Bass s/he Schindler's List screenplay screenwriter script consultant sense shadow Shakespeare in Love side someone Sometimes Spirit story struggle subplot subtext tell themes there's things Tibet tion transformation Truman Show truth trying unconscious visual thinking watch what's wonder writ WRITE Write yearnings York