Making a Good Writer Great: A Creativity Workbook for ScreenwritersSilman-James Press, 1999 - 233 Seiten In any creative endeavour, craft by itself is simply not enough. Designed not just to awaken creativity, but to teach the writer the process of being creative within the context of screenwriting, this new, unique addition to Linda Seger's highly popular collection of books combines the tools necessary to learn how to think and write more creatively with indispensable screenwriting know-how. This book does just what its title professes -- provides writers with the knowledge necessary to write at the highest artistic level. |
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Seite 118
... choose one of your dreams , explore and rework it . CREATE Choose a dream . Write a scene exactly as 118 MAKING A GOOD WRITER GREAT.
... choose one of your dreams , explore and rework it . CREATE Choose a dream . Write a scene exactly as 118 MAKING A GOOD WRITER GREAT.
Seite 172
... choose to imper- sonate her boss ) or Stake - Out ( to choose to try to date the woman he's observing ) or The Firm ( to choose to expose the corruption ) . Choose a character from one of these films , or 172 MAKING A GOOD WRITER GREAT.
... choose to imper- sonate her boss ) or Stake - Out ( to choose to try to date the woman he's observing ) or The Firm ( to choose to expose the corruption ) . Choose a character from one of these films , or 172 MAKING A GOOD WRITER GREAT.
Seite 208
... choose friends , screenwriting col- leagues , your writers ' group or class . Be careful whom you ask . Be careful of feedback that makes you despair rather than gives you hope . Be careful of readers who are going to tear you down and ...
... choose friends , screenwriting col- leagues , your writers ' group or class . Be careful whom you ask . Be careful of feedback that makes you despair rather than gives you hope . Be careful of readers who are going to tear you down and ...
Inhalt
Finding Out What Fuels Your Most | 21 |
Using Your Writing to Make an Impact | 179 |
Connecting Your Spiritual Vision With | 191 |
Urheberrecht | |
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action ANALYZE Anthony Hopkins audience bad guy become beginning chapter character character's chase scene Chase Twichell comedy conflict convergent thinking create creation creative process culture dark Dead Poets Society defined dialogue divergent thinking dramatic dreams emotional evaluate evil experience explore express favorite fear feedback feel films following exercises Frasier friends Gail genre Hollywood ideas images Imagine insight integrity keep Linda lives look metaphor Mihaly Csikszentmihalyi mind move movie Muse Norma Rae notebook Notice oppositional thinking person play problem readers REFLECT relationship remember rewrite Robin Behn romantic Ron Bass s/he Schindler's List screenplay screenwriter script consultant sense shadow Shakespeare in Love side someone Sometimes Spirit story struggle subplot subtext tell themes there's things Tibet tion transformation Truman Show truth trying unconscious visual thinking watch what's wonder writ WRITE Write yearnings York