Making a Good Writer Great: A Creativity Workbook for ScreenwritersSilman-James Press, 1999 - 233 Seiten In any creative endeavour, craft by itself is simply not enough. Designed not just to awaken creativity, but to teach the writer the process of being creative within the context of screenwriting, this new, unique addition to Linda Seger's highly popular collection of books combines the tools necessary to learn how to think and write more creatively with indispensable screenwriting know-how. This book does just what its title professes -- provides writers with the knowledge necessary to write at the highest artistic level. |
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Seite 48
... action than the act before.1 Working With Your Favorite Films THINK Think of one of your favorite movies , and tell ... action ( a crime is committed , a detective is assigned to the case ) , a clear second - act action ( an ...
... action than the act before.1 Working With Your Favorite Films THINK Think of one of your favorite movies , and tell ... action ( a crime is committed , a detective is assigned to the case ) , a clear second - act action ( an ...
Seite 118
... action - adventure ? Did I initiate the action or was I caught up in the action started by someone else ? What were the consequences to my action ? 4 Just as real - life experiences are jumping - off points for your work , dreams also ...
... action - adventure ? Did I initiate the action or was I caught up in the action started by someone else ? What were the consequences to my action ? 4 Just as real - life experiences are jumping - off points for your work , dreams also ...
Seite 168
... action . How does this action af- fect the other characters in the scene ? Did the ac- tion diminish another person , thereby affecting his / her self - esteem ? Did it physically hurt another per- son ? Did it confuse , anger , or ...
... action . How does this action af- fect the other characters in the scene ? Did the ac- tion diminish another person , thereby affecting his / her self - esteem ? Did it physically hurt another per- son ? Did it confuse , anger , or ...
Inhalt
Finding Out What Fuels Your Most | 21 |
Using Your Writing to Make an Impact | 179 |
Connecting Your Spiritual Vision With | 191 |
Urheberrecht | |
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action ANALYZE Anthony Hopkins audience bad guy become beginning chapter character character's chase scene Chase Twichell comedy conflict convergent thinking create creation creative process culture dark Dead Poets Society defined dialogue divergent thinking dramatic dreams emotional evaluate evil experience explore express favorite fear feedback feel films following exercises Frasier friends Gail genre Hollywood ideas images Imagine insight integrity keep Linda lives look metaphor Mihaly Csikszentmihalyi mind move movie Muse Norma Rae notebook Notice oppositional thinking person play problem readers REFLECT relationship remember rewrite Robin Behn romantic Ron Bass s/he Schindler's List screenplay screenwriter script consultant sense shadow Shakespeare in Love side someone Sometimes Spirit story struggle subplot subtext tell themes there's things Tibet tion transformation Truman Show truth trying unconscious visual thinking watch what's wonder writ WRITE Write yearnings York