The works of James the first. Also, Some brief remarks on the intimate connexion of the Scots language with the other northern dialects |
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Seite 6
... Edinburgh in the year 1783 . . In this new edition , the Editors have scrupu- lously followed the original printed one mentioned above . This Volume , however , contains " Peb- " lis to the Play , " which is not vi PREFACE ..
... Edinburgh in the year 1783 . . In this new edition , the Editors have scrupu- lously followed the original printed one mentioned above . This Volume , however , contains " Peb- " lis to the Play , " which is not vi PREFACE ..
Seite 7
James I (king of Scotland.) William Tytler. " lis to the Play , " which is not to be found in Mr. Tytler's work , and of which the reader will find a more particular account in a short intro- duction to the Poem itself , besides other ...
James I (king of Scotland.) William Tytler. " lis to the Play , " which is not to be found in Mr. Tytler's work , and of which the reader will find a more particular account in a short intro- duction to the Poem itself , besides other ...
Seite 9
... - Conclusion and Epilogue - 163 Remarks on the Scots Language 177 Peblis to the Play 193 Christ's Kirk of the Green 213 Dissertation on Scottish Music 243 A HISTORICAL AND CRITICAL DISSERTATION ON THE LIFE AND WRITINGS CONTENTS .
... - Conclusion and Epilogue - 163 Remarks on the Scots Language 177 Peblis to the Play 193 Christ's Kirk of the Green 213 Dissertation on Scottish Music 243 A HISTORICAL AND CRITICAL DISSERTATION ON THE LIFE AND WRITINGS CONTENTS .
Seite 42
... by that Prince , but says nothing of Christ's Kirk of the Green . Secondly , The poem mentions Peebles at the * Notes on the Statutes of King James I. Act 12 . ' Play , ' which Lord Hailes is of opinion 42 A DISSERTATION ON.
... by that Prince , but says nothing of Christ's Kirk of the Green . Secondly , The poem mentions Peebles at the * Notes on the Statutes of King James I. Act 12 . ' Play , ' which Lord Hailes is of opinion 42 A DISSERTATION ON.
Seite 43
James I (king of Scotland.) William Tytler. ' Play , ' which Lord Hailes is of opinion relates to a more modern era than the age of King James I .; And , Lastly , Bishop Gibson and Bishop Tanner , and the editor of Gavin Douglas's Virgil ...
James I (king of Scotland.) William Tytler. ' Play , ' which Lord Hailes is of opinion relates to a more modern era than the age of King James I .; And , Lastly , Bishop Gibson and Bishop Tanner , and the editor of Gavin Douglas's Virgil ...
Häufige Begriffe und Wortgruppen
Æneid ageyne ancient archery Azincourt ballads Banantyne's Bishop Gibson bryt CANTO Carlo Gesualdo castle Chaucer Christ's Kirk church clere composed confort conjecture doun Duke of Albany Earl England English fair floure fortune fresch furth Gavin Douglas genius goddesse goddis grene grete gude hertis hevin humour James's King Henry King James King of Scotland King of Scots KING'S QUAIR language learned lufe lytill maid melodies modern mony mynd old Scottish Palestrina Peblis Play plesance poem of Christ's poet poetical poetry Prince qd sche Quhare Quhat quhele Quhen quhich quhile quhite quho reign sall Saxon sche Scotland Scots Scottish language Scottish songs seyne stanza suete suich suld sung taste thai thaire thame therewt thot thou tion tofore trew tuke tyme Venus vnto wald waly warld wele wold words zouth
Beliebte Passagen
Seite 281 - Love wont to gae ! 1 leant my back unto an aik, I thought it was a trusty tree ; But first it bow'd, and syne it brak, Sae my true Love did lichtly me. O waly waly, but love be bonny A little time while it is new ; But when 'tis auld, it waxeth cauld And fades awa...
Seite 74 - Heaven from all creatures hides the book of Fate, All but the page prescribed, their present state: From brutes what men, from men what spirits know: Or who could suffer being here below?
Seite 121 - Six wings he wore, to shade His lineaments divine ; the pair that clad Each shoulder broad, came mantling o'er his breast With regal ornament: the middle pair Girt like a starry zone his waist, and round Skirted his loins and thighs with downy gold And colours dipt in Heaven ; the third his feet Shadow'd from either heel with feather'd mail, Sky-tinctur'd grain. Like Maia's son he stood, And shook his plumes, that heavenly fragrance fill'd The circuit wide.
Seite 116 - OLD as I am, for ladies' love unfit, The power of beauty I remember yet, Which once inflamed my soul, and still inspires my wit.
Seite 74 - The lamb thy riot dooms to bleed today, Had he thy reason, would he skip and play? Pleased to the last, he crops the flowery food, And licks the hand just raised to shed his blood.
Seite 257 - Or the unseen Genius of the wood. But let my due feet never fail To walk the studious cloister's pale, And love the high embowed roof, With antique pillars massy proof, And storied windows richly dight, Casting a dim religious light.
Seite 257 - With antique pillars massy proof, And storied windows richly dight, Casting a dim religious light. There let the pealing organ blow To the full-voiced quire below In service high and anthems clear As may with sweetness, through mine ear, Dissolve me into ecstasies, And bring all Heaven before mine eyes.
Seite 268 - Meanwhile, whate'er of beautiful, or new, Sublime, or dreadful, in earth, sea, or sky, By chance, or search was offered to his view, He scann'd with curious and romantic eye.
Seite 280 - Pelops' line, Or the tale of Troy divine, Or what (though rare) of later age, Ennobled hath the buskined stage. But O, sad Virgin, that thy power Might raise Musaeus from his bower, Or bid the soul of Orpheus sing Such notes as warbled to the string, Drew iron tears down Pluto's cheek, And made Hell grant what Love did seek. Or call up him that left...
Seite 83 - Quhare as in ward full oft I wold bewaille My dedely lyf, full of peyne and penance, Saing ryght thus, quhat have I gilt to faille My fredome in this warld and my plesance?