Shakespearean Criticism YearbookMichele Lee Gale Research International, Limited, 1998 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 64
... lines of good night precede their finally falling off to sleep , which closes this section of the scene . Phelps's ... lines ( 10.4 ) and words ( 11.2 ) of any woman character in the play although Hermia has more speeches ( 9.5 percent ...
... lines of good night precede their finally falling off to sleep , which closes this section of the scene . Phelps's ... lines ( 10.4 ) and words ( 11.2 ) of any woman character in the play although Hermia has more speeches ( 9.5 percent ...
Seite 65
... line is cut from his speech . Again Titania's description of the boy's mother is also crossed through . Thus , the " restoration " hardly affects the lines of Titania . In II.i Phelps excises most of her speech to Oberon 88-117 and then ...
... line is cut from his speech . Again Titania's description of the boy's mother is also crossed through . Thus , the " restoration " hardly affects the lines of Titania . In II.i Phelps excises most of her speech to Oberon 88-117 and then ...
Seite 165
... ( Lines 95-99 ) Hotspur now favors a literal " turning " from the normal order of nature and the map's representation of that order : I'll have the current in this place damm'd up , And here the smug and silver Trent shall run In a new ...
... ( Lines 95-99 ) Hotspur now favors a literal " turning " from the normal order of nature and the map's representation of that order : I'll have the current in this place damm'd up , And here the smug and silver Trent shall run In a new ...
Inhalt
Hotspur and the Discourse of Honor | 101 |
Paula Blank Speaking Freely about Richard II | 120 |
Maurice Hunt Shakespeares King Richard III and the Problematics of Tudor Bastardy | 132 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Angelo Antipholus argues audience Aufidius bastardy becomes body Bolingbroke calls character Comedy of Errors consolation context Coppélia Coriolanus critics death Desdemona desire discourse Dollimore domestic dramatic Dromio Duke Duke's Edward Elizabethan Emilia England English erotic essay Falstaff fantasy female gender grotesque Hamlet hath Henry Henry IV Hermione Hermione's Hippolyta honor Hotspur human Iago Iago's identity imagination King lago language Leontes lines London lover Macbeth male Marcius marriage means metaphor Montaigne mother nature Neoplatonic Noble Kinsmen Oberon Othello Pericles play's poem political Press production Prospero queen reading relation Renaissance rhetorical Richard Richard II role scene seems sense sexual Shake Shakespeare Shakespeare's play Silvia Sinfield social sonnets speak speaker speare speare's speech stage story suggests tells Tempest theatrical thee Theseus thou tion Titania tragedy Troilus and Cressida Twelfth Night voice Winter's Tale woman women words York