Shakespearean Criticism YearbookMichele Lee Gale Research International, Limited, 1998 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 42
... final act is a decided disruption of the stability of sexual and gender difference and the sense of individuated identity it fosters . Sebastian tells Olivia that even though she would have been contracted to the maid Viola if he had ...
... final act is a decided disruption of the stability of sexual and gender difference and the sense of individuated identity it fosters . Sebastian tells Olivia that even though she would have been contracted to the maid Viola if he had ...
Seite 294
... final interpretation of the grotesque : AN ATTEMPT TO INVOKE AND SUBDUE THE DEMONIC ASPECTS OF THE WORLD . " What Hamlet has performed may be assessed as this invocation and subdual of the demonic residing in the world . Hamlet is dead ...
... final interpretation of the grotesque : AN ATTEMPT TO INVOKE AND SUBDUE THE DEMONIC ASPECTS OF THE WORLD . " What Hamlet has performed may be assessed as this invocation and subdual of the demonic residing in the world . Hamlet is dead ...
Seite 392
... final two lines of the poem imply an act of confession - an act that frees the speaker from guilt . Yet the inscrutable terms of this religious ceremony and the insistence upon the beloved's heart for its location make this religion a ...
... final two lines of the poem imply an act of confession - an act that frees the speaker from guilt . Yet the inscrutable terms of this religious ceremony and the insistence upon the beloved's heart for its location make this religion a ...
Inhalt
Hotspur and the Discourse of Honor | 101 |
Paula Blank Speaking Freely about Richard II | 120 |
Maurice Hunt Shakespeares King Richard III and the Problematics of Tudor Bastardy | 132 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Angelo Antipholus argues audience Aufidius bastardy becomes body Bolingbroke calls character Comedy of Errors consolation context Coppélia Coriolanus critics death Desdemona desire discourse Dollimore domestic dramatic Dromio Duke Duke's Edward Elizabethan Emilia England English erotic essay Falstaff fantasy female gender grotesque Hamlet hath Henry Henry IV Hermione Hermione's Hippolyta honor Hotspur human Iago Iago's identity imagination King lago language Leontes lines London lover Macbeth male Marcius marriage means metaphor Montaigne mother nature Neoplatonic Noble Kinsmen Oberon Othello Pericles play's poem political Press production Prospero queen reading relation Renaissance rhetorical Richard Richard II role scene seems sense sexual Shake Shakespeare Shakespeare's play Silvia Sinfield social sonnets speak speaker speare speare's speech stage story suggests tells Tempest theatrical thee Theseus thou tion Titania tragedy Troilus and Cressida Twelfth Night voice Winter's Tale woman women words York