Creative Filmmaking from the Inside Out: Five Keys to the Art of Making Inspired Movies and TelevisionSimon and Schuster, 15.06.2010 - 224 Seiten Five keys to creating authentic, distinctive work, whether you are a student, professional or simply love making films on your own For Creative Filmmaking from the Inside Out, three professors at the renowned University of Southern California School of Cinema-Television interviewed fifteen outstanding filmmakers, then distilled their insights into the "Five I's" of creativity. Learn how to: • Uncover your unique creative voice (Introspection) • Work from real-life observations and experience (Inquiry) • Draw on your nonconscious wells of creativity (Intuition) • Strengthen your creative collaborations (Interaction) • Communicate at the deepest level with your audience (Impact) This comprehensive approach provides practical exercises that will enrich and transform your work, whether you are looking for a story idea, lighting a set, editing a scene or selecting a music cue. The participating filmmakers, who have collectively won or been nominated for 39 Oscars and 27 Emmys, are: Anthony Minghella, writer-director (The English Patient); Kimberly Peirce, writer-director (Boys Don't Cry); John Lasseter, writer-director-producer (Toy Story); John Wells, writer-producer (ER); Hanif Kureishi, writer (My Beautiful Laundrette); Pamela Douglas, writer (Between Mother and Daughter); Renee Tajima-Pe?a, director-producer (My America...or, Honk If You Love Buddha); Ismail Merchant, producer (The Remains of the Day); Jeannine Oppewall, production designer (L.A. Confidential); Conrad L. Hall, cinematographer (American Beauty); Kathy Baker, actor (Picket Fences); Walter Murch, sound designer-editor (Apocalypse Now); Lisa Fruchtman, editor (The Right Stuff); Kate Amend, editor (Into the Arms of Strangers); and James Newton Howard, composer (The Sixth Sense). |
Im Buch
Ergebnisse 1-5 von 87
Seite i
... Write a Script in 48 Hours ' nonsense . Creative Filmmaking challenges you to think before you shoot . " —Larry Karaszewski , screenwriter ( Ed Wood , The People vs. Larry Flynt , Man on the Moon ) , producer ( Auto Focus ) " This ...
... Write a Script in 48 Hours ' nonsense . Creative Filmmaking challenges you to think before you shoot . " —Larry Karaszewski , screenwriter ( Ed Wood , The People vs. Larry Flynt , Man on the Moon ) , producer ( Auto Focus ) " This ...
Seite ii
... writer , director , producer , production designer , cinematographer , actor , editor , sound designer , composer , animator or documentary filmmaker , Creative Filmmaking offers insights and ad- vice that should lead to work of greater ...
... writer , director , producer , production designer , cinematographer , actor , editor , sound designer , composer , animator or documentary filmmaker , Creative Filmmaking offers insights and ad- vice that should lead to work of greater ...
Seite ix
... write . We have also benefited from the knowl- edge , experience , good taste and collaborative spirit of Cherise Grant , our editor at Simon & Schuster . Thanks as well to Allyson Edelhertz , production editor Daniel Cuddy , interior ...
... write . We have also benefited from the knowl- edge , experience , good taste and collaborative spirit of Cherise Grant , our editor at Simon & Schuster . Thanks as well to Allyson Edelhertz , production editor Daniel Cuddy , interior ...
Seite xi
... writing groups . Doe wishes to thank her extended family but especially her parents , Janet and Michael , for their constant interest , enthusiasm and support for this book throughout its various incarnations . Carroll is grateful to ...
... writing groups . Doe wishes to thank her extended family but especially her parents , Janet and Michael , for their constant interest , enthusiasm and support for this book throughout its various incarnations . Carroll is grateful to ...
Seite xvi
... writing ( " Down on the Page " ) , through pre- production and production ( " Into the Can " ) , and post - production and audience response ( " Up on the Screen " ) . This final section gives you explo- rations of greater depth that ...
... writing ( " Down on the Page " ) , through pre- production and production ( " Into the Can " ) , and post - production and audience response ( " Up on the Screen " ) . This final section gives you explo- rations of greater depth that ...
Inhalt
1 | |
one introspection | 17 |
two inquiry | 47 |
three intuition | 71 |
four interaction | 93 |
five impact | 117 |
six workouts | 149 |
Endnotes | 167 |
Selected Filmographies | 173 |
Suggested Reading | 187 |
Index | 193 |
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Academy Award Nomination actor American Anthony Minghella artists audience Best Boys Don't Cry Brandon British Academy camera characters Cinematographer collaborative Composer Conrad Hall create creative filmmaking creative process described develop director dream editing Editor and Sound Embedded Values Emmy Award emotional English Patient Executive Producer experience feel filmmakers footage going Hanif Kureishi happen ideas images impact interaction interview introspection intuition Ismail Merchant James Newton Howard Jeannine Oppewall John Lasseter Kate Amend Kathy Baker Kimberly Peirce kind Lisa Fruchtman look mind nonconscious Pamela Douglas play Production Designer Renee Tajima-Peña resonance response role scene screen screenplay screenwriter script sense shooting Sound Rerecording Mixer specific story studio talk tell theme there's things tion told TV movie TV series undercurrent University of Southern violence visual Walter Murch watch what's workout write writer-director York