Creative Filmmaking from the Inside Out: Five Keys to the Art of Making Inspired Movies and TelevisionFive keys to creating authentic, distinctive work, whether you are a student, professional or simply love making films on your own For Creative Filmmaking from the Inside Out, three professors at the renowned University of Southern California School of Cinema-Television interviewed fifteen outstanding filmmakers, then distilled their insights into the "Five I's" of creativity. Learn how to: • Uncover your unique creative voice (Introspection) • Work from real-life observations and experience (Inquiry) • Draw on your nonconscious wells of creativity (Intuition) • Strengthen your creative collaborations (Interaction) • Communicate at the deepest level with your audience (Impact) This comprehensive approach provides practical exercises that will enrich and transform your work, whether you are looking for a story idea, lighting a set, editing a scene or selecting a music cue. The participating filmmakers, who have collectively won or been nominated for 39 Oscars and 27 Emmys, are: Anthony Minghella, writer-director (The English Patient); Kimberly Peirce, writer-director (Boys Don't Cry); John Lasseter, writer-director-producer (Toy Story); John Wells, writer-producer (ER); Hanif Kureishi, writer (My Beautiful Laundrette); Pamela Douglas, writer (Between Mother and Daughter); Renee Tajima-Pe?a, director-producer (My America...or, Honk If You Love Buddha); Ismail Merchant, producer (The Remains of the Day); Jeannine Oppewall, production designer (L.A. Confidential); Conrad L. Hall, cinematographer (American Beauty); Kathy Baker, actor (Picket Fences); Walter Murch, sound designer-editor (Apocalypse Now); Lisa Fruchtman, editor (The Right Stuff); Kate Amend, editor (Into the Arms of Strangers); and James Newton Howard, composer (The Sixth Sense). |
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The authors have divided the book into what they call the 'Five I's: Introspection, Inquiry, Intuition, Interaction and Impact.' They also have interviewed several professionals on both sides of the camera to give their discussion an ...
The authors have divided the book into what they call the 'Five I's: Introspection, Inquiry, Intuition, Interaction and Impact.' They also have interviewed several professionals on both sides of the camera to give their discussion an ...
Seite x
Steve Carr, Geoff Cowan, Bill Dill, Deborah Fort, Chap Freeman, Meg Moritz and George Stoney participated in developing an even earlier proposal for what would have been a very different book—although that project did not materialize, ...
Steve Carr, Geoff Cowan, Bill Dill, Deborah Fort, Chap Freeman, Meg Moritz and George Stoney participated in developing an even earlier proposal for what would have been a very different book—although that project did not materialize, ...
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Yet what you can learn, and what we emphasize in this book, is how best to prepare yourself, and how to approach your work, so that your inherent creativity has the greatest opportunity to emerge and flourish.
Yet what you can learn, and what we emphasize in this book, is how best to prepare yourself, and how to approach your work, so that your inherent creativity has the greatest opportunity to emerge and flourish.
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We have broken down the overall process described in Creative Filmmaking from the Inside Out into five chapters, each exploring one of what we call the "Five I's": Introspection, Inquiry, Intuition, Interaction and Impact.
We have broken down the overall process described in Creative Filmmaking from the Inside Out into five chapters, each exploring one of what we call the "Five I's": Introspection, Inquiry, Intuition, Interaction and Impact.
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Most can be done in five minutes or less, and all are appropriate no matter what kind of work you are doing, anytime you want to get your head into a more innovative place. The structure of the Workout section at the end of the book, ...
Most can be done in five minutes or less, and all are appropriate no matter what kind of work you are doing, anytime you want to get your head into a more innovative place. The structure of the Workout section at the end of the book, ...
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Creative filmmaking: from the inside out: five keys to the art of making inspired movies and television
Nutzerbericht - Not Available - Book VerdictDisputing a popular notion that creativity is an inherent gift that one either possesses or lacks, this ambitious manual attempts to provide practical instruction for developing and enhancing personal ... Vollständige Rezension lesen
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Academy Award Nomination Academy of Film actor Anthony Minghella artists audience beautiful Best Boys Don't Cry Brandon British Academy camera characters Cinematographer collaborative Composer Conrad Hall create creative choices creative filmmaking creative process described develop director dream editing Editor and Sound Embedded Values emotional English Patient Executive Producer experience feel filmmakers footage going Hanif Kureishi happen ideas images impact interaction interview intuition Ismail Merchant James Newton Howard Jeannine Oppewall John Lasseter Kate Amend Kathy Baker Kimberly Peirce kind learned lives look mind nonconscious Pamela Douglas play Production Designer Renee Tajima-Peña resonance response role scene screen screenplay screenwriter script sense shooting Sound Rerecording Mixer specific story studio talk tell theme there's things tion told TV movie TV series undercurrent University of Southern violence visual voice Walter Murch watch what's workout write writer-director York