Creative Filmmaking from the Inside Out: Five Keys to the Art of Making Inspired Movies and TelevisionSimon and Schuster, 15.06.2010 - 224 Seiten Five keys to creating authentic, distinctive work, whether you are a student, professional or simply love making films on your own For Creative Filmmaking from the Inside Out, three professors at the renowned University of Southern California School of Cinema-Television interviewed fifteen outstanding filmmakers, then distilled their insights into the "Five I's" of creativity. Learn how to: • Uncover your unique creative voice (Introspection) • Work from real-life observations and experience (Inquiry) • Draw on your nonconscious wells of creativity (Intuition) • Strengthen your creative collaborations (Interaction) • Communicate at the deepest level with your audience (Impact) This comprehensive approach provides practical exercises that will enrich and transform your work, whether you are looking for a story idea, lighting a set, editing a scene or selecting a music cue. The participating filmmakers, who have collectively won or been nominated for 39 Oscars and 27 Emmys, are: Anthony Minghella, writer-director (The English Patient); Kimberly Peirce, writer-director (Boys Don't Cry); John Lasseter, writer-director-producer (Toy Story); John Wells, writer-producer (ER); Hanif Kureishi, writer (My Beautiful Laundrette); Pamela Douglas, writer (Between Mother and Daughter); Renee Tajima-Pe?a, director-producer (My America...or, Honk If You Love Buddha); Ismail Merchant, producer (The Remains of the Day); Jeannine Oppewall, production designer (L.A. Confidential); Conrad L. Hall, cinematographer (American Beauty); Kathy Baker, actor (Picket Fences); Walter Murch, sound designer-editor (Apocalypse Now); Lisa Fruchtman, editor (The Right Stuff); Kate Amend, editor (Into the Arms of Strangers); and James Newton Howard, composer (The Sixth Sense). |
Im Buch
Ergebnisse 1-5 von 37
Seite ii
... specific creative techniques used by successful professionals , together with specific exercises for the reader . " -Library Journal " This is the only book I know of that relates the creative process to every key film- making role ...
... specific creative techniques used by successful professionals , together with specific exercises for the reader . " -Library Journal " This is the only book I know of that relates the creative process to every key film- making role ...
Seite xi
... specific guidance and for the creative stimulus of her writing groups . Doe wishes to thank her extended family but especially her parents , Janet and Michael , for their constant interest , enthusiasm and support for this book ...
... specific guidance and for the creative stimulus of her writing groups . Doe wishes to thank her extended family but especially her parents , Janet and Michael , for their constant interest , enthusiasm and support for this book ...
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... specific kind of work we have a passion for and are particularly well - suited to do ; the impor- tance of seeking personal connections in the material we choose to work on ; and how we can reference and draw on our own specific ...
... specific kind of work we have a passion for and are particularly well - suited to do ; the impor- tance of seeking personal connections in the material we choose to work on ; and how we can reference and draw on our own specific ...
Seite xvi
... specific tasks and various stages of the production process , from originating ideas and writing ( " Down on the Page " ) , through pre- production and production ( " Into the Can " ) , and post - production and audience response ( " Up ...
... specific tasks and various stages of the production process , from originating ideas and writing ( " Down on the Page " ) , through pre- production and production ( " Into the Can " ) , and post - production and audience response ( " Up ...
Seite xvii
... specific scenes , sequences , characters , loca- tions , and visual , sound or music motifs in the way they did . Another way this book is unique is that everything in it is applicable to every creative role at every stage of the ...
... specific scenes , sequences , characters , loca- tions , and visual , sound or music motifs in the way they did . Another way this book is unique is that everything in it is applicable to every creative role at every stage of the ...
Inhalt
1 | |
one introspection | 17 |
two inquiry | 47 |
three intuition | 71 |
four interaction | 93 |
five impact | 117 |
six workouts | 149 |
Endnotes | 167 |
Selected Filmographies | 173 |
Suggested Reading | 187 |
Index | 193 |
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Häufige Begriffe und Wortgruppen
Academy Award Nomination actor American Anthony Minghella artists audience Best Boys Don't Cry Brandon British Academy camera characters Cinematographer collaborative Composer Conrad Hall create creative filmmaking creative process described develop director dream editing Editor and Sound Embedded Values Emmy Award emotional English Patient Executive Producer experience feel filmmakers footage going Hanif Kureishi happen ideas images impact interaction interview introspection intuition Ismail Merchant James Newton Howard Jeannine Oppewall John Lasseter Kate Amend Kathy Baker Kimberly Peirce kind Lisa Fruchtman look mind nonconscious Pamela Douglas play Production Designer Renee Tajima-Peña resonance response role scene screen screenplay screenwriter script sense shooting Sound Rerecording Mixer specific story studio talk tell theme there's things tion told TV movie TV series undercurrent University of Southern violence visual Walter Murch watch what's workout write writer-director York