Creative Filmmaking from the Inside Out: Five Keys to the Art of Making Inspired Movies and TelevisionSimon and Schuster, 15.06.2010 - 224 Seiten Five keys to creating authentic, distinctive work, whether you are a student, professional or simply love making films on your own For Creative Filmmaking from the Inside Out, three professors at the renowned University of Southern California School of Cinema-Television interviewed fifteen outstanding filmmakers, then distilled their insights into the "Five I's" of creativity. Learn how to: • Uncover your unique creative voice (Introspection) • Work from real-life observations and experience (Inquiry) • Draw on your nonconscious wells of creativity (Intuition) • Strengthen your creative collaborations (Interaction) • Communicate at the deepest level with your audience (Impact) This comprehensive approach provides practical exercises that will enrich and transform your work, whether you are looking for a story idea, lighting a set, editing a scene or selecting a music cue. The participating filmmakers, who have collectively won or been nominated for 39 Oscars and 27 Emmys, are: Anthony Minghella, writer-director (The English Patient); Kimberly Peirce, writer-director (Boys Don't Cry); John Lasseter, writer-director-producer (Toy Story); John Wells, writer-producer (ER); Hanif Kureishi, writer (My Beautiful Laundrette); Pamela Douglas, writer (Between Mother and Daughter); Renee Tajima-Pe?a, director-producer (My America...or, Honk If You Love Buddha); Ismail Merchant, producer (The Remains of the Day); Jeannine Oppewall, production designer (L.A. Confidential); Conrad L. Hall, cinematographer (American Beauty); Kathy Baker, actor (Picket Fences); Walter Murch, sound designer-editor (Apocalypse Now); Lisa Fruchtman, editor (The Right Stuff); Kate Amend, editor (Into the Arms of Strangers); and James Newton Howard, composer (The Sixth Sense). |
Im Buch
Ergebnisse 1-5 von 34
Seite xv
... lives , weaving bits of our- selves into what we create in order to deepen our sense of connection and authorship . In addition to working from our own experience , we need as filmmakers to be able to draw on the entire spectrum of ...
... lives , weaving bits of our- selves into what we create in order to deepen our sense of connection and authorship . In addition to working from our own experience , we need as filmmakers to be able to draw on the entire spectrum of ...
Seite xvii
... live - action features , and writer- producer - director John Lasseter is known for feature animation . Writer- producer John Wells , writer Pamela Douglas , and actor Kathy Baker have worked extensively in television . Director ...
... live - action features , and writer- producer - director John Lasseter is known for feature animation . Writer- producer John Wells , writer Pamela Douglas , and actor Kathy Baker have worked extensively in television . Director ...
Seite xix
... lives have shaped our views , we try to reference in the book what we have individually observed and learned . It is a challenge to have three authors and yet write in the personal tone we prefer . We try , in effect , to become three ...
... lives have shaped our views , we try to reference in the book what we have individually observed and learned . It is a challenge to have three authors and yet write in the personal tone we prefer . We try , in effect , to become three ...
Seite 15
... lives . James's grandmother played violin in the Pittsburgh Symphony , and he began playing classical music at an early age , later studying at Santa Barbara's Music Academy of the West and the University of Southern California School ...
... lives . James's grandmother played violin in the Pittsburgh Symphony , and he began playing classical music at an early age , later studying at Santa Barbara's Music Academy of the West and the University of Southern California School ...
Seite 19
Du hast die Anzeigebeschränkung für dieses Buch erreicht.
Du hast die Anzeigebeschränkung für dieses Buch erreicht.
Inhalt
1 | |
one introspection | 17 |
two inquiry | 47 |
three intuition | 71 |
four interaction | 93 |
five impact | 117 |
six workouts | 149 |
Endnotes | 167 |
Selected Filmographies | 173 |
Suggested Reading | 187 |
Index | 193 |
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Academy Award Nomination actor American Anthony Minghella artists audience Best Boys Don't Cry Brandon British Academy camera characters Cinematographer collaborative Composer Conrad Hall create creative filmmaking creative process described develop director dream editing Editor and Sound Embedded Values Emmy Award emotional English Patient Executive Producer experience feel filmmakers footage going Hanif Kureishi happen ideas images impact interaction interview introspection intuition Ismail Merchant James Newton Howard Jeannine Oppewall John Lasseter Kate Amend Kathy Baker Kimberly Peirce kind Lisa Fruchtman look mind nonconscious Pamela Douglas play Production Designer Renee Tajima-Peña resonance response role scene screen screenplay screenwriter script sense shooting Sound Rerecording Mixer specific story studio talk tell theme there's things tion told TV movie TV series undercurrent University of Southern violence visual Walter Murch watch what's workout write writer-director York