Creative Filmmaking from the Inside Out: Five Keys to the Art of Making Inspired Movies and TelevisionSimon and Schuster, 15.06.2010 - 224 Seiten Five keys to creating authentic, distinctive work, whether you are a student, professional or simply love making films on your own For Creative Filmmaking from the Inside Out, three professors at the renowned University of Southern California School of Cinema-Television interviewed fifteen outstanding filmmakers, then distilled their insights into the "Five I's" of creativity. Learn how to: • Uncover your unique creative voice (Introspection) • Work from real-life observations and experience (Inquiry) • Draw on your nonconscious wells of creativity (Intuition) • Strengthen your creative collaborations (Interaction) • Communicate at the deepest level with your audience (Impact) This comprehensive approach provides practical exercises that will enrich and transform your work, whether you are looking for a story idea, lighting a set, editing a scene or selecting a music cue. The participating filmmakers, who have collectively won or been nominated for 39 Oscars and 27 Emmys, are: Anthony Minghella, writer-director (The English Patient); Kimberly Peirce, writer-director (Boys Don't Cry); John Lasseter, writer-director-producer (Toy Story); John Wells, writer-producer (ER); Hanif Kureishi, writer (My Beautiful Laundrette); Pamela Douglas, writer (Between Mother and Daughter); Renee Tajima-Pe?a, director-producer (My America...or, Honk If You Love Buddha); Ismail Merchant, producer (The Remains of the Day); Jeannine Oppewall, production designer (L.A. Confidential); Conrad L. Hall, cinematographer (American Beauty); Kathy Baker, actor (Picket Fences); Walter Murch, sound designer-editor (Apocalypse Now); Lisa Fruchtman, editor (The Right Stuff); Kate Amend, editor (Into the Arms of Strangers); and James Newton Howard, composer (The Sixth Sense). |
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... UNIVERSITY OF SOUTHERN CALIFORNIA SCHOOL OF CINEMA - TELEVISION AND ANNENBERG CENTER FOR COMMUNICATION X " If I were a film or television student starting. Front Cover.
... UNIVERSITY OF SOUTHERN CALIFORNIA SCHOOL OF CINEMA - TELEVISION AND ANNENBERG CENTER FOR COMMUNICATION X " If I were a film or television student starting. Front Cover.
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... UNIVERSITY OF SOUTHERN CALIFORNIA SCHOOL OF CINEMA - TELEVISION AND ANNENBERG CENTER FOR COMMUNICATION 1 Praise for Creative Filmmaking from the Inside Out " [
... UNIVERSITY OF SOUTHERN CALIFORNIA SCHOOL OF CINEMA - TELEVISION AND ANNENBERG CENTER FOR COMMUNICATION 1 Praise for Creative Filmmaking from the Inside Out " [
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... University of Southern California's School of Cinema - Television , combine their own observations with insights from noted artists such as John Wells and Ismail Merchant . . . . The result is not only an entertaining ( and occasionally ...
... University of Southern California's School of Cinema - Television , combine their own observations with insights from noted artists such as John Wells and Ismail Merchant . . . . The result is not only an entertaining ( and occasionally ...
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... University of Southern California School of Cinema - Television and Executive Director of the Annenberg Center for Communication , provided vital financial and institutional support , as well as her personal encouragement and enthusiasm ...
... University of Southern California School of Cinema - Television and Executive Director of the Annenberg Center for Communication , provided vital financial and institutional support , as well as her personal encouragement and enthusiasm ...
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... University of Southern California Annenberg School for Communication supported development of the book's website . Facing His- tory and Ourselves , under Dan Alba , Director of the Los Angeles Region , played an important role in a ...
... University of Southern California Annenberg School for Communication supported development of the book's website . Facing His- tory and Ourselves , under Dan Alba , Director of the Los Angeles Region , played an important role in a ...
Inhalt
1 | |
one introspection | 17 |
two inquiry | 47 |
three intuition | 71 |
four interaction | 93 |
five impact | 117 |
six workouts | 149 |
Endnotes | 167 |
Selected Filmographies | 173 |
Suggested Reading | 187 |
Index | 193 |
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Häufige Begriffe und Wortgruppen
Academy Award Nomination actor American Anthony Minghella artists audience Best Boys Don't Cry Brandon British Academy camera characters Cinematographer collaborative Composer Conrad Hall create creative filmmaking creative process described develop director dream editing Editor and Sound Embedded Values Emmy Award emotional English Patient Executive Producer experience feel filmmakers footage going Hanif Kureishi happen ideas images impact interaction interview introspection intuition Ismail Merchant James Newton Howard Jeannine Oppewall John Lasseter Kate Amend Kathy Baker Kimberly Peirce kind Lisa Fruchtman look mind nonconscious Pamela Douglas play Production Designer Renee Tajima-Peña resonance response role scene screen screenplay screenwriter script sense shooting Sound Rerecording Mixer specific story studio talk tell theme there's things tion told TV movie TV series undercurrent University of Southern violence visual Walter Murch watch what's workout write writer-director York