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Brandy and wine (their wonted friends) at length 243
Render them useless, and betray their strength.

So corn in fields, and in the garden flowers,
Revive and raise themselves with mod'rate showers;
But overcharged with never-ceasing rain,
Become too moist, and bend their heads again.
Their reeling ships on one another fall,

Without a foe, enough to ruin all.

Of this disorder, and the favouring wind,
The watchful English such advantage find,

Ships fraught with fire among the heap they throw,
And up the so-entangled Belgians blow.

The flame invades the powder-rooms, and then,
Their guns shoot bullets, and their vessels men.
The scorch'd Batavians on the billows float,
Sent from their own, to pass in Charon's boat.
And now, our royal Admiral success
(With all the marks of victory) does bless;
The burning ships, the taken, and the slain,
Proclaim his triumph o'er the conquer'd main.
Nearer to Holland, as their hasty flight
Carries the noise and tumult of the fight,
His cannons' roar, forerunner of his fame,
Makes their Hague tremble, and their Amsterdam ;
The British thunder does their houses rock,
And the Duke seems at every door to knock.
His dreadful streamer (like a comet's hair,
Threatening destruction) hastens their despair;
Makes them deplore their scatter'd fleet as lost,
And fear our present landing on their coast.
The trembling Dutch th' approaching Prince behold,
As sheep a lion leaping tow'rds their fold;

Those piles, which serve them to repel the main,
They think too weak his fury to restrain.

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'What wonders may not English valour work,
Led by th' example of victorious York?
Or what defence against him can they make,
Who, at such distance, does their country shake?
His fatal hand their bulwarks will o'erthrow,
And let in both the ocean, and the foe;'
Thus cry the people; and, their land to keep,
Allow our title to command the deep;

Blaming their States' ill conduct, to provoke
Those arms, which freed them from the Spanish
yoke.

Painter! excuse me, if I have a while

Forgot thy art, and used another style;
For, though you draw arm'd heroes as they sit,
The task in battle does the Muses fit;

They, in the dark confusion of a fight,
Discover all, instruct us how to write;
And light and honour to brave actions yield,
Hid in the smoke and tumult of the field,
Ages to come shall know that leader's toil,
And his great name, on whom the Muses smile;
Their dictates here let thy famed pencil trace,
And this relation with thy colours grace.

Then draw the Parliament, the nobles met,

And our great Monarch high above them set;
Like young Augustus let his image be,
Triumphing for that victory at sea,

Where Egypt's Queen,1 and Eastern kings o'erthrown,
Made the possession of the world his own.
Last draw the Commons at his royal feet,
Pouring out treasure to supply his fleet;
They vow with lives and fortunes to maintain
Their King's eternal title to the main;

1 Egypt's Queen': Cleopatra.

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And with a present to the Duke, approve
His valour, conduct, and his country's love.

OF ENGLISH VERSE.

1 POETS may boast, as safely vain,

Their works shall with the world remain :

Both, bound together, live or die,
The verses and the prophecy.

2 But who can hope his line should long
Last in a daily changing tongue?
While they are new, envy prevails;
And as that dies, our language fails.

3 When architects have done their part,
The matter may betray their art;
Time, if we use ill-chosen stone,
Soon brings a well-built palace down.

4 Poets that lasting marble seek,

Must carve in Latin, or in Greek;
We write in sand, our language grows,
And like the tide, our work o'erflows.

5 Chaucer his sense can only boast;
The glory of his numbers lost!

Years have defaced his matchless strain;
And yet he did not sing in vain.

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6 The beauties which adorn'd that age,
The shining subjects of his rage,
Hoping they should immortal prove,
Rewarded with success his love.

7 This was the gen'rous poet's scope;
And all an English pen can hope,
To make the fair approve his flame,
That can so far extend their fame.

8 Verse, thus design'd, has no ill fate,
If it arrive but at the date

Of fading beauty; if it prove
But as long-lived as present love.

THESE VERSES WERE WRIT IN THE TASSO OF HER ROYAL HIGHNESS.

TASSO knew how the fairer sex to grace,
But in no one durst all perfection place.
In her alone that owns this book is seen
Clorinda's spirit, and her lofty mien,
Sophronia's piety, Erminia's truth,
Armida's charms, her beauty, and her youth.
Our Princess here, as in a glass, does dress
Her well-taught mind, and every grace express.
More to our wonder than Rinaldo fought,
The hero's race excels the poet's thought.

THE TRIPLE COMBAT1

WHEN through the world fair Mazarin had run,
Bright as her fellow-traveller, the sun,

Hither at length the Roman eagle flies,
As the last triumph of her conqu'ring eyes.
As heir to Julius, she may pretend

A second time to make this island bend;
But Portsmouth, springing from the ancient race
Of Britons, which the Saxon here did chase,
As they great Cæsar did oppose, makes head,
And does against this new invader lead.
That goodly nymph, the taller of the two,
Careless and fearless to the field does go.
Becoming blushes on the other wait,
And her young look excuses want of height.
Beauty gives courage; for she knows the day
Must not be won the Amazonian way.
Legions of Cupids to the battle come,
For Little Britain these, and those for Rome.
Dress'd to advantage, this illustrious pair
Arrived, for combat in the list appear.
What may the Fates design! for never yet
From distant regions two such beauties met.
Venus had been an equal friend to both,
And vict'ry to declare herself seems loth;
Over the camp, with doubtful wings, she flies,
Till Chloris shining in the fields she spies.
The lovely Chloris well-attended came,
A thousand Graces waited on the dame;

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1 Triple combat': the Duchess of Mazarin was a divorced demirep, who came to England with some designs on Charles II., in which she was counteracted by the Duchess of Portsmouth.

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