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Seite 37
Where does the authority of the voice of the aerobics leader come from ? Unlike other women's directive language , it is not softened . The content of justifications , explanation , and correction of the addressee clearly calls on the ...
Where does the authority of the voice of the aerobics leader come from ? Unlike other women's directive language , it is not softened . The content of justifications , explanation , and correction of the addressee clearly calls on the ...
Seite 49
One strategy is to undercut the leader as a subject of the utterance by averting her gaze to her own body , by weakening the authority of her voice or by literally giving her voice to some other body , or by dividing her body into lots ...
One strategy is to undercut the leader as a subject of the utterance by averting her gaze to her own body , by weakening the authority of her voice or by literally giving her voice to some other body , or by dividing her body into lots ...
Seite 57
For the male voice - over which concludes the courtroom drama is always allowed to have the final word . Whether he appears physically on the set or in disembodied form on the sound - track , the male commentator introduces the actors ...
For the male voice - over which concludes the courtroom drama is always allowed to have the final word . Whether he appears physically on the set or in disembodied form on the sound - track , the male commentator introduces the actors ...
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Inhalt
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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