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Inhalt
On the Digital and Allegorical Economy | 4 |
Colonial Ambivalence and | 25 |
World Music Does Not Exist | 44 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
allegorical artists Basque Bilbao Burroughs camera Cantinflas capital century Chiapas citizenship close-up colonial contemporary context crisis critical critique cultural Culture Jamming democracy democratic desire diaspora Díaz dinosaurs discourse dominant economic essay ethnic European example Filipino film Foraker Act global Guggenheim Hawai'i Hawaiian Hawaiian language hegemony Hispanic hueco identity ideological immigrants imperial indigenous institutions intellectuals island José Juárez Jurassic Park Krauze Krens language Latin American Latina/o Laura Marcos Mexican Mexico Miguel modern Museum narrative neoliberal Nicholas Nixon Nixon's Octavio Paz official Paz's Philippines photographs political popular position postmodern president Puerto Rico racial radical Raúl reality relation representation represented rhetoric Ricans Rigoberta Menchú role Salinas signifying social society Spanish Spielberg's subaltern suggests symbolic Thing tion tradition Underwood & Underwood United University Press utility Vicente Fox visual Vuelta women world music York Zapatista Zedillo Zizek
Bibliografische Informationen
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 23 Discourse: Berkeley journal for theoretical studies in media and culture, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Mitwirkende Personen | University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Verlag | Indiana University Press, 2001 |
| Zitat exportieren | BiBTeX EndNote RefMan |