Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 34Gale Research Company, 1984 |
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Seite 31
... woman to realize this ' state , ' his incomplete- ness and dependence on her are also intimated . It is woman's faithfulness to this structure that sustains society and raises marriage above other personal rela- tionships . Erasmus ...
... woman to realize this ' state , ' his incomplete- ness and dependence on her are also intimated . It is woman's faithfulness to this structure that sustains society and raises marriage above other personal rela- tionships . Erasmus ...
Seite 33
... woman's discursive relation to man , a silent subjection whose ' auricular ' transgression recalls her natural talkativeness . The clearest signs of the corruptions caused by confes- sion emerge for Calvin in a sort of feminized sexual ...
... woman's discursive relation to man , a silent subjection whose ' auricular ' transgression recalls her natural talkativeness . The clearest signs of the corruptions caused by confes- sion emerge for Calvin in a sort of feminized sexual ...
Seite 34
... woman is that of an ethopoetic metonym for a male identity that is end- lessly incomplete . Rather than merely serving his self- portrayals , woman names the continual disruption of male ethos and desire . Montaigne laments this process ...
... woman is that of an ethopoetic metonym for a male identity that is end- lessly incomplete . Rather than merely serving his self- portrayals , woman names the continual disruption of male ethos and desire . Montaigne laments this process ...
Inhalt
Appearance vs Reality | 1 |
As You Like | 71 |
The Comedy of Errors | 190 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor Adonis Adriana ambiguity androgynous Angelo audience Audrey becomes Bellario brother Celia characters Clown Comedy of Errors comic conventional Coppélia Corin court courtly critical desire dialogue discourse double meaning dramatic Dromio Duke Frederick Duke Senior Duke's Egeon Elizabethan Ephesus ethos father feigning female Feste figure final folly fool Forest of Arden Ganymede gender genre hath Helena husband identity Isabella Jaques language literary lovers Luciana male Malvolio marriage Measure for Measure metonymic Midsummer Night's Dream moral nature ocular proof Oliver Olivia Orlando Orsino paradox passion pastoral Phebe Philaster play's plot poetry political reality relationship Renaissance reveals rhetoric role romantic Rosalind says scene seems sense sexual disguise Shakespeare Shakespearean comedy shepherd Silvius social speak speech stage structure suggests theme thou tion Touchstone Touchstone's tradition truth Twelfth Night Univ University Press Venus Venus and Adonis Viola wife woman women words