Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 34Gale Research Company, 1984 |
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Seite 192
... wife . ) After a frenzy of railing , the sister brings the wife up short by asking why she cares about her husband if he is so despicable , and she answers " Ah , but I think him better than I say , . . My heart prays for him , though ...
... wife . ) After a frenzy of railing , the sister brings the wife up short by asking why she cares about her husband if he is so despicable , and she answers " Ah , but I think him better than I say , . . My heart prays for him , though ...
Seite 215
... wife and [ her ] confederates / For locking [ him ] out of [ his ] doors by day " ( IV.i.16-18 ) , but Antipholus of Ephesus ends up beating his basic ser- vant self . The comedy , of course , is close to slapstick , master beating ...
... wife and [ her ] confederates / For locking [ him ] out of [ his ] doors by day " ( IV.i.16-18 ) , but Antipholus of Ephesus ends up beating his basic ser- vant self . The comedy , of course , is close to slapstick , master beating ...
Seite 237
... wife . Therefore , as much as Adriana has to say about dissolution or the breaking of ties , she is at least very much aware of the cords that join two people in married love . 14 The bond between husband and wife is dramatized not only ...
... wife . Therefore , as much as Adriana has to say about dissolution or the breaking of ties , she is at least very much aware of the cords that join two people in married love . 14 The bond between husband and wife is dramatized not only ...
Inhalt
Appearance vs Reality | 1 |
As You Like | 71 |
The Comedy of Errors | 190 |
Urheberrecht | |
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actor Adonis Adriana ambiguity androgynous Angelo audience Audrey becomes Bellario brother Celia characters Clown Comedy of Errors comic conventional Coppélia Corin court courtly critical desire dialogue discourse double meaning dramatic Dromio Duke Frederick Duke Senior Duke's Egeon Elizabethan Ephesus ethos father feigning female Feste figure final folly fool Forest of Arden Ganymede gender genre hath Helena husband identity Isabella Jaques language literary lovers Luciana male Malvolio marriage Measure for Measure metonymic Midsummer Night's Dream moral nature ocular proof Oliver Olivia Orlando Orsino paradox passion pastoral Phebe Philaster play's plot poetry political reality relationship Renaissance reveals rhetoric role romantic Rosalind says scene seems sense sexual disguise Shakespeare Shakespearean comedy shepherd Silvius social speak speech stage structure suggests theme thou tion Touchstone Touchstone's tradition truth Twelfth Night Univ University Press Venus Venus and Adonis Viola wife woman women words