Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 34Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 83
Seite 139
... true " poetry shows that passion must be something feigned . As a basic human impulse it can only achieve expression by way of ex- isting conventions that govern human relations ; but imposing a form on desire deprives it of its very na ...
... true " poetry shows that passion must be something feigned . As a basic human impulse it can only achieve expression by way of ex- isting conventions that govern human relations ; but imposing a form on desire deprives it of its very na ...
Seite 163
... true blood nobility by suggesting that mere environ- ment cannot produce it . Such characters address the courtesy book question about the nature of true nobil- ity by presenting an ideal mixture of Christian virtue and noble rank . A ...
... true blood nobility by suggesting that mere environ- ment cannot produce it . Such characters address the courtesy book question about the nature of true nobil- ity by presenting an ideal mixture of Christian virtue and noble rank . A ...
Seite 289
... true festivity that Feste himself tends to symbolize in the play . Here the distinction is between Feste's true fes- tivity and the belching , oversatisfied , what - shall - we- do - else sport of Toby . There will be cakes and ale to ...
... true festivity that Feste himself tends to symbolize in the play . Here the distinction is between Feste's true fes- tivity and the belching , oversatisfied , what - shall - we- do - else sport of Toby . There will be cakes and ale to ...
Inhalt
Appearance vs Reality | 1 |
As You Like | 71 |
The Comedy of Errors | 190 |
Urheberrecht | |
1 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
actor Adonis Adriana ambiguity androgynous Angelo audience Audrey becomes Bellario brother Celia characters Clown Comedy of Errors comic conventional Coppélia Corin court courtly critical desire dialogue discourse double meaning dramatic Dromio Duke Frederick Duke Senior Duke's Egeon Elizabethan Ephesus ethos father feigning female Feste figure final folly fool Forest of Arden Ganymede gender genre hath Helena husband identity Isabella Jaques language literary lovers Luciana male Malvolio marriage Measure for Measure metonymic Midsummer Night's Dream moral nature ocular proof Oliver Olivia Orlando Orsino paradox passion pastoral Phebe Philaster play's plot poetry political reality relationship Renaissance reveals rhetoric role romantic Rosalind says scene seems sense sexual disguise Shakespeare Shakespearean comedy shepherd Silvius social speak speech stage structure suggests theme thou tion Touchstone Touchstone's tradition truth Twelfth Night Univ University Press Venus Venus and Adonis Viola wife woman women words