Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 34Gale Research Company, 1984 |
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... thing entire to many objects , Like perspectives , which , rightly , gaz'd upon , Show nothing but confusion . . . ' Tis with false sorrow's eye , Which , for things true , weeps things imaginary . ( II . ii . 14 ) Richard himself is a ...
... thing entire to many objects , Like perspectives , which , rightly , gaz'd upon , Show nothing but confusion . . . ' Tis with false sorrow's eye , Which , for things true , weeps things imaginary . ( II . ii . 14 ) Richard himself is a ...
Seite 303
... things I bid thee ponder ; for this is the first Way of inquiry from which I hold thee back . " The verbal parallels ... things that turns back upon itself . For never shall this be proved ; that things that are not are ; but do thou ...
... things I bid thee ponder ; for this is the first Way of inquiry from which I hold thee back . " The verbal parallels ... things that turns back upon itself . For never shall this be proved ; that things that are not are ; but do thou ...
Seite 309
... things than scrupulous schol- arly researchers can pin down precisely . The possi- bility is strong that " that that is is " had for some time been current as part of the stock phraseology of the age and was used commonly in certain ...
... things than scrupulous schol- arly researchers can pin down precisely . The possi- bility is strong that " that that is is " had for some time been current as part of the stock phraseology of the age and was used commonly in certain ...
Inhalt
Appearance vs Reality | 1 |
As You Like | 71 |
The Comedy of Errors | 190 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor Adonis Adriana ambiguity androgynous Angelo audience Audrey becomes Bellario brother Celia characters Clown Comedy of Errors comic conventional Coppélia Corin court courtly critical desire dialogue discourse double meaning dramatic Dromio Duke Frederick Duke Senior Duke's Egeon Elizabethan Ephesus ethos father feigning female Feste figure final folly fool Forest of Arden Ganymede gender genre hath Helena husband identity Isabella Jaques language literary lovers Luciana male Malvolio marriage Measure for Measure metonymic Midsummer Night's Dream moral nature ocular proof Oliver Olivia Orlando Orsino paradox passion pastoral Phebe Philaster play's plot poetry political reality relationship Renaissance reveals rhetoric role romantic Rosalind says scene seems sense sexual disguise Shakespeare Shakespearean comedy shepherd Silvius social speak speech stage structure suggests theme thou tion Touchstone Touchstone's tradition truth Twelfth Night Univ University Press Venus Venus and Adonis Viola wife woman women words