Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 34Gale Research Company, 1984 |
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Seite 365
... scene ( Act V , scene iii ) 9 : 19 , 26 , 53 , 65 , 100 , 117 , 125 , 130 , 157 , 164 , 183 Christianity 30 : 111 Cominius 25 : 245 Cominius's tribute ( Act II , scene ii ) 9 : 80 , 100 . 117 , 125 , 144 , 164 , 198 ; 25 : 296 ...
... scene ( Act V , scene iii ) 9 : 19 , 26 , 53 , 65 , 100 , 117 , 125 , 130 , 157 , 164 , 183 Christianity 30 : 111 Cominius 25 : 245 Cominius's tribute ( Act II , scene ii ) 9 : 80 , 100 . 117 , 125 , 144 , 164 , 198 ; 25 : 296 ...
Seite 366
... scene ( Act III , scene iv ) 16 : 259 ; 21 : 151 , 334 , 392 costume 21 : 81 death , decay , or corruption 1 : 144 , 153 , 188 , 198 , 221 , 242 ; 13 : 502 ; 28 : 280 , 311 dumbshow and play scene ( Act III , scene ii ) 1 : 76 , 86 ...
... scene ( Act III , scene iv ) 16 : 259 ; 21 : 151 , 334 , 392 costume 21 : 81 death , decay , or corruption 1 : 144 , 153 , 188 , 198 , 221 , 242 ; 13 : 502 ; 28 : 280 , 311 dumbshow and play scene ( Act III , scene ii ) 1 : 76 , 86 ...
Seite 370
... scenes 22 : 365 dagger scene ( Act III , scene i ) , staging of 20 : 406 evil 3 : 194 , 208 , 231 , 234 , 239 , 241 , 267 , 289 ; 20 : 203 , 206 , 210 , 374 free will vs. fate 3 : 177 , 183 , 184 , 190 , 196 , 198 , 202 , 207 , 208 ...
... scenes 22 : 365 dagger scene ( Act III , scene i ) , staging of 20 : 406 evil 3 : 194 , 208 , 231 , 234 , 239 , 241 , 267 , 289 ; 20 : 203 , 206 , 210 , 374 free will vs. fate 3 : 177 , 183 , 184 , 190 , 196 , 198 , 202 , 207 , 208 ...
Inhalt
Appearance vs Reality | 1 |
As You Like | 71 |
The Comedy of Errors | 190 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor Adonis Adriana ambiguity androgynous Angelo audience Audrey becomes Bellario brother Celia characters Clown Comedy of Errors comic conventional Coppélia Corin court courtly critical desire dialogue discourse double meaning dramatic Dromio Duke Frederick Duke Senior Duke's Egeon Elizabethan Ephesus ethos father feigning female Feste figure final folly fool Forest of Arden Ganymede gender genre hath Helena husband identity Isabella Jaques language literary lovers Luciana male Malvolio marriage Measure for Measure metonymic Midsummer Night's Dream moral nature ocular proof Oliver Olivia Orlando Orsino paradox passion pastoral Phebe Philaster play's plot poetry political reality relationship Renaissance reveals rhetoric role romantic Rosalind says scene seems sense sexual disguise Shakespeare Shakespearean comedy shepherd Silvius social speak speech stage structure suggests theme thou tion Touchstone Touchstone's tradition truth Twelfth Night Univ University Press Venus Venus and Adonis Viola wife woman women words